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https://www.wikiart.org/en/odilon-redon
Odilon Redon was born in Bordeaux, Aquitaine, to a prosperous family. The young Bertrand-Jean Redon acquired the nickname "Odilon" from his mother, Odile. Redon started drawing as a child; and, at the age of ten, he was awarded a drawing prize at school.Birth place: Bordeaux, France
https://www.theartstory.org/artist/redon-odilon/
Redon is one of the most important and original of all the Symbolist artists. His visionary works concern the world of dreams, fantasy, and the imagination. He first became famous for his noirs series, monochromatic compositions that exploit the expressive and suggestive powers of the color black.Nationality: French
https://www.artsy.net/artist/odilon-redon
Redon was influenced by the poetry of Charles Baudelaire and Stéphane Mallarmé and admired by the painters Gustave Moreau and Gustave Klimt —as such he is often remembered as a Symbolist, though Redon preferred autonomy and never actually considered himself part of the group.Nationality: French
https://www.artic.edu/artists/36336/odilon-redon
Odilon Redon The Misshapen Polyp Floated on the Shores, a Sort of Smiling and Hideous Cyclops, plate 3 of 8 from “Les Origines”, 1883 A Mask Sounds the Funeral Knell, plate three from To Edgar Poe, 1882
https://www.tate.org.uk/art/artists/odilon-redon-2243
He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction.
https://www.britannica.com/biography/Odilon-Redon
Odilon Redon, (born April 20, 1840, Bordeaux, France—died July 6, 1916, Paris), French Symbolist painter, lithographer, and etcher of considerable poetic sensitivity and imagination, whose work developed along two divergent lines. His prints explore haunted, fantastic, often macabre themes and foreshadowed the Surrealist and Dadaist movements.
https://www.theartstory.org/artist/redon-odilon/artworks/
In 1910 Redon agreed to decorate the library of the country estate of his friend and patron, Gustave Fayet, an artist who had bought the medieval abbey in 1908 with the intention of restoring it. Given complete freedom on the project, Redon created two large panels, Day and Night, for the two walls, and a smaller panel over the doorway.
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