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https://www.romanolaw.com/2020/04/10/understanding-the-relationship-between-artists-and-art-dealers/
Apr 10, 2020 · However, art dealers and artists are often confused about the dealer’s responsibilities as well as the terms required in consignment agreements. Art Dealer’s Responsibilities When artists give their work to an art merchant to exhibit and/or sell the work on behalf of the artist, it creates a consignment relationship.
https://www.simpsons.com.au/wp-content/uploads/chapter-3-the-artist_dealer-gallery.pdf
promoting and protecting the artist. Without the dealer/gallery, most artists would not survive. Without the artist, the dealer/gallery would not exist. Thus it is a marriage of considerable convenience. It is also a commercial relationship. The basis of the much-idealised relationship between artist and gallery is, quite simply, money. Neither ...
https://www.huffpost.com/entry/artist-dealer-relationshi_b_6721410
Apr 22, 2015 · An artist-dealer relationship is frequently the outgrowth of other relationships, for instance, between a dealer and other artists he or she represents. "The artists whose work I'm most interested in seeing are those who are recommended by other artists I know and respect," said one New York dealer.
https://www.huffpost.com/entry/like-it-or-not-artists-ar_b_605677
May 25, 2011 · An artist-dealer relationship is frequently the outgrowth of other relationships, for instance, between a dealer and other artists he or she represents. “The artists whose work I’m most interested in seeing are those who are recommended by other artists I know and …
https://www.quora.com/What-is-the-relationship-between-an-artist-and-art-dealer
Thanks for the compliment of the A2A. Art dealers as we know them are a fairly recent phenomenon. There may have been a few agent-type people running around, but until the mid-1800s, artists generally did their own negotiating for work, because m...
https://www.artsy.net/article/artsy-editorial-history-art-dealing
Dec 27, 2018 · At some point along the line, the relationship between artist and dealer evolved from one based solely on commerce to one that includes sincere advocacy. Even in the face of commercial failure, this new kind of art dealer would champion certain artists because they truly believed in them.
https://www.artbusiness.com/artist-gallery-dealer-contracts-agreements-relationships.html
If the relationship is just starting out, allowing a gallery to exclusively represent your art over large geographical areas where no other gallery can show or sell it is not a good idea. That's relinquishing too much control too early-- before either of you have any idea how the arrangement will work out, and especially how your art will sell.
https://www.artbusiness.com/orvztzm.html
A critical part of any successful gallery relationship is that it be a joint venture between you and the dealer, 50/50 from start to finish. When a gallery decides to show your art, they automatically oblige themselves to put out a big fat chunk of time, money, labor, square footage, thought and overall positivity into you and your work.
https://magazine.artland.com/history-of-art-dealing/
The cornerstone of the Leo Castelli Model was a mutual, unconditional trust and loyalty between dealer and artist that would allow for a long-term relationship. Later in his career, Castelli started working with and mentoring a younger generation of art dealers.
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