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https://visualartists.ie/artists-and-curators/
To some artists, curators may offer advice on direction, and become a confidante to whom the artist may turn when in need of advice, support and even challenges to particular ideas or directions. This allows them to consciously reflect current artistic …
https://www.theodysseyonline.com/relationship-artist-audience-curator-effect-artwork
May 15, 2018 · The curator becomes part of the art as they decide how and when to present the artwork. There are two different models on how the artist-audience relationship will develop, depending on if the museum shows the art appreciation model, or the cultural insight model. I personally believe the cultural insight model is a better interaction between artist and viewer because it means that the …
https://curatingthecontemporary.org/2015/04/30/curator-as-artist-as-curator/
Apr 30, 2015 · In terms of contemplating the divergent roles of the artist as curator and the curator as artist, Chambre 763 demonstrates a conflict between the agency of the artwork and that of the exhibition. It can be said that we are more likely to remember the curator and his/her conceptual integrity, than the participant artists, thus artwork and artist are “subsumed by the identity of the whole …
https://www.atlantis-press.com/proceedings/icahem-19/125938167
Apr 01, 2020 · As a curator, he should have a good academic background, not pay too much attention to the commercial nature of the exhibition, but need to extract the core soul of the artist’s works in a variety of interesting forms. On the basis of deeply digging the connotation of the work, when the curator really considers himself as an audience to plan and appreciate the exhibition, an exhibition is more likely to …Author: Zeyang Zhou
https://www.artprocessors.net/articles/curating-digital-world-changing-relationship-between-artists-curators-and-tech-companies
This kind of seamless collaboration between artists, curators and tech companies like ours is something we’ll no doubt see more of as institutions like Mona and artists like Denny continue to explore the use of new technologies, like augmented reality, in their works. Simon Denny: Mine, Museum of Old and New Art, Hobart, 8 June-13 April 2020.
https://www.e-flux.com/journal/art-without-artists/
May 16, 2010 · While some artists occasionally do work as curators, it’s important to acknowledge that the relationship between artists and curators is structurally somewhat like the relationship between workforce and management: like the workers, most artists suspect that their “supervisors,” the curators, do not really understand the art, that they are controlling, egocentric, and ignorant, and are …
https://www.artdocentprogram.com/want-art-curator/
Sep 02, 2014 · It could be found, for instance, in the relationship between the structure of the society and institution of art, or in the way in which a biennial operates in a city/region. I had an opportunity to be involved in an inauguration of Tokyo Opera City Art Gallery, which opened in 1999, and I was contracted to work there as an assistant curator ...
https://news.artnet.com/exhibitions/25-women-curators-on-the-rise-276386
Mar 17, 2015 · While curator at Berlin’s KW Institute for Contemporary Art, Pfeffer conceived the 2008-09 Hotel Marienbad program, in which artists like Douglas Gordon had a …
https://www.e-flux.com/announcements/378363/mihnea-mircan-kasia-redzisz-appointed-curators-of-4th-art-encounters-biennial/
Mar 04, 2021 · Mihnea Mircan is a curator, writer and PhD candidate at the Monash University, Melbourne. He was the artistic director of Extra City Kunsthal, Antwerpen, between 2011-2015 and he curated numerous exhibitions at prestigious art institutions, such as Le Pavillon – Palais de Tokyo, Stroom Den Haag, MUSEION, Bolzano, Fondation Ricard Paris.
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