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https://courses.lumenlearning.com/suny-hccc-worldhistory/chapter/art-and-patronage/
Medici patronage was responsible for the majority of Florentine art during their reign, as artists generally only made their works when they received commissions in advance. Although none of the Medici themselves were scientists, the family is well known to have been the patrons of the famous Galileo Galilei, who tutored multiple generations of Medici children.
http://www.antiquesage.com/history-future-artist-patron-relationship/
A wealthy patron would employ a gifted artist for years, or even decades, at a time, providing him with funds to cover the cost of his supplies and living expenses, as well as a generous stipend. In return, the artist would complete works of art commissioned by his benefactor.
https://www.academia.edu/6437579/The_Relationship_Between_Patrons_and_Artists_in_the_Renaissance_Italy
Thanks to this change of status the relationship between patron and artist changed, giving to the latter more professional autonomy and contractual power, being able to offer an added value deriving from his skills and fame (Schroeder et al. , 2010). As we said earlier, the Italian market was particularised.
https://www.dailyartmagazine.com/artist-and-patron-friend-or-foe/
Dec 07, 2019 · But the relationship between artist and patron doesn’t always run smoothly. In 1932 wealthy US industrialist John D. Rockefeller Jr. commissioned Mexican artist Diego Rivera to paint a mural inside Manhattan’s Rockefeller Centre. Rockefeller was of course aware of the Rivera’s radical, left-leaning politics, so they agreed the scene to be painted in advance.
https://www.nga.gov/features/slideshows/patrons-and-artists-in-late-15th-century-florence.html
If the painting was gilded from the outset, this would have been specified in the contract between artist and patron. Until the mid-fifteenth century, the intrinsic value of materials—gold and costly pigments such as ultramarine, which is made from the semiprecious stone lapis lazuli—accounted for …
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