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http://arthistoryresources.net/renaissance-art-theory-2012/rise-of-artist.html
The Renaissance saw a concerted effort on the part of painters and sculptors to extricate themselves from the medieval heritage which lumped them together with craftsmen At the beginning of the Renaissance, the painter and sculptor were still regarded as craftsmen - they were usually uneducated, often ignorant, and sometimes illiterate
https://www.academia.edu/27329101/Renaissance_Art_Theories
Thus the fabric of Renaissance art theories consists of ideas on the function and use of images geared towards the religious sphere intertwined with secular views on the definition, history and criticism of the visual arts. 49 fTradition and the Academy Reformation and Counter-Reformation Art Theories The basic doctrine of the Church on images provided the foundation of Renais- sance art …
https://www.oxfordbibliographies.com/view/document/obo-9780195399301/obo-9780195399301-0035.xml
Jun 29, 2015 · Introduction. In contrast to theories of poetry or rhetoric, no complete ancient theory of the figurative arts survives. Renaissance authors wishing to underpin the “rebirth” of painting therefore had to resort to a variety of strategies to invent a new genre. Literary metaphors and fragments from artists’ biographies (mainly from Pliny) were joined with scientific discoveries such as the theory of …
https://faculty.mtsac.edu/cmcgruder/renaissanceaesthetics.html
Jun 03, 2019 · Renaissance Aesthetics. (1400 - 1600 C.E.) In the Renaissance, an increasing emphasis on experience, artistic expression and individual achievement and skill shifted aesthetics away from beauty as a divine harmony toward beauty as a felt, sensual first step toward a higher consciousness. The aesthetic payoff of art was something that an individual could …
https://www.britannica.com/art/art-criticism/Renaissance-art-criticism
Renaissance art criticism. Despite such theorizing, no definite critical tradition emerged until the Renaissance, when art criticism came into its own—that is, when detailed analysis and deliberate evaluation of artists began. Giovanni, Matteo, and Filippo Villani’s Cronica (1308–64; “Chronicles”) was the first important evaluation of this kind. In Filippo Villani’s portion (1364) of the family’s ongoing …
https://www.history.com/topics/renaissance/renaissance
Oct 06, 2020 · The Renaissance was a fervent period of European cultural, artistic, political and economic “rebirth” following the Middle Ages. Generally described as …
https://iep.utm.edu/renaissa/
The Renaissance, that is, the period that extends roughly from the middle of the fourteenth century to the beginning of the seventeen century, was a time of intense, all-encompassing, and, in many ways, distinctive philosophical activity.
https://criticalaesthetics2015.wordpress.com/2015/06/17/a-short-note-on-renaissance-aesthetics/
Jun 17, 2015 · Renaissance theorists and artists developed their idea of ‘Humanism’. Humanism was a way of thinking which attached more importance to Man and less importance to God. It imbued Renaissance art with its unique flavor, as exemplified in works like Leonardo’s Mona Lisa (a non-religious painting), Michelangelo’s David – a more human than religious statue.
https://humanismartsblogger.wordpress.com/2015/08/03/introduction-the-theory-of-humanism-in-early-renaissance-art/
Aug 03, 2015 · Introduction: The Theory of Humanism in Early Renaissance Art. Humanism is the movement which focused on the value and worth of each person’s individualism and was based on the ideals of ancient Greek and Roman civilisation. Petrarch (1304-74) is believed to be the first renaissance humanist, by theorising that what was required to bring renaissance society forward from the dark …
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