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Richard Hamilton: The Late Works - National Gallery

    https://www.nationalgallery.org.uk/exhibitions/past/richard-hamilton-the-late-works
    Oct 10, 2012 · The artist and the National Gallery Hamilton had close ties with the National Gallery throughout his career; as a frequent visitor, a teacher guiding his students to its treasures, a curator, and an exhibitor. Many of his later works reflect the inspiration he took from the Gallery’s …

Richard Hamilton National Galleries of Scotland

    https://www.nationalgalleries.org/art-and-artists/artists/richard-hamilton
    Hamilton also acted as curator of a major retrospective of Marcel Duchamp's work at the Tate Gallery in 1966, and edited a typographic version of that artist's "Green Box." He worked in a wide variety of media and designed the cover of The Beatles' "white" album, released in 1968. ID: 500126033.

Richard Hamilton - Person - National Portrait Gallery

    https://www.npg.org.uk/collections/search/person/mp02006/richard-hamilton
    Richard Hamilton (1922-2011), Painter. Sitter in 13 portraits Artist of 2 portraits Born in London, Hamilton studied at Westminster Technical College, St Martin's School of Art, the Royal Academy Schools and the Slade School of Fine Art.

Richard Hamilton National Gallery of Canada

    https://www.gallery.ca/collection/artist/richard-hamilton
    The National Gallery of Canada is home to the world’s most comprehensive collection of Canadian art. Skip to main content. National Gallery of Canada. Toggle navigation ... Richard Hamilton. British, 1922-2011. Name. Richard Hamilton. Born. U.K. (England): London. 1922-02-24. Nationality. British.

Richard Hamilton: The Late Works - National Gallery

    https://www.nationalgallery.org.uk/about-us/press-and-media/press-releases/richard-hamilton-the-late-works
    Up until his death aged 89 in September 2011, Richard Hamilton was planning a major exhibition of recent works conceived specifically for the National Gallery. This highly personal exhibition is a masterful final statement of intent by one of the most influential British artists of the 20th century, and includes 30 paintings in a labyrinth-like ...

Richard Hamilton (artist) - Wikipedia

    https://en.wikipedia.org/wiki/Richard_Hamilton_(artist)
    Richard William Hamilton CH was an English painter and collage artist. His 1955 exhibition Man, Machine and Motion and his 1956 collage Just what is it that makes today's homes so different, so appealing?, produced for the This Is Tomorrow exhibition of the Independent Group in London, are considered by critics and historians to be among the earliest works of pop art. A major retrospective of …

Richard Hamilton: The shock of the nude The Independent ...

    https://www.independent.co.uk/arts-entertainment/art/features/richard-hamilton-shock-nude-8210672.html
    Oct 16, 2012 · The late Richard Hamilton's final works are on display at the National Gallery. The unmissable show is the perfect tribute to a great experimental artist, says Adrian Hamilton. Adrian Hamilton ...

Richard Hamilton 1922–2011 Tate

    https://www.tate.org.uk/art/artists/richard-hamilton-1244
    Hamilton devised and designed the exhibitions Growth and Form at the Institute of Contemporary Arts in 1951, and Man, Machine and Motion at the Hatton Gallery, Newcastle upon Tyne and the Institute of Contemporary Arts in 1955.

Richard Hamilton: the pioneer of British Pop Art Art UK

    https://artuk.org/discover/stories/richard-hamilton-the-pioneer-of-british-pop-art
    Jan 25, 2021 · Richard Hamilton (1922–2011) Pallant House Gallery. Hamilton was a key member with fellow artists Eduardo Paolozzi, Nigel Henderson and William Turnbull, along with architects Colin St John Wilson and Alison and Peter Smithson. © estate of …

Richard Hamilton Paintings, Bio, Ideas TheArtStory

    https://www.theartstory.org/artist/hamilton-richard/
    Sep 13, 2011 · Richard Hamilton was the founder of Pop art and a visionary who outlined its aims and ideals. A lollipop from one of his early collages furnished the movement with its title. His visual juxtapositions from the 1950s were the first to capture the frenetic energy of television, and remind us of how strange the vacuum, tape recorder, and radio must have seemed for the first generations that …

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