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Roberto Bertoia Cornell AAP

    https://aap.cornell.edu/people/roberto-bertoia
    Roberto Bertoia teaches sculpture classes at all levels as well as drawing and special topics. Bertoia has exhibited in national and international juried and invitational exhibitions. He has been commissioned by Winston-Salem State University and the University of Binghamton.

Harry Bertoia: Sculptor and Modernist Designer - Past ...

    https://www.samuseum.org/artwork/exhibition/harry-bertoia-sculptor-and-modernist-designer/
    Sep 14, 2018 · You may know his iconic furniture without knowing his name—or that Italian-born designer Harry Bertoia (1915–1978) also produced outstanding work in printmaking, jewelry, and monumental architectural sculpture. In 2004–5, local collectors Robert and Laura Cadwallader gave the San Antonio Museum of Art three excellent works that represent Bertoia’s achievements: a sculpture …

Bertoia Events & Exhibitions - Harry Bertoia Foundation

    https://harrybertoia.org/resources/bertoia-exhibitions/
    Bertoia designed modern chairs for Knoll, crafted over 50 public sculptures, etched hundreds of monotypes and welded thousands of art pieces. Bertoia pushed the wave of modern art into an expansive period of exploration of not only visual, but practical, au ditory and tactile art. From delicate jewelry to massive fountains, from an asymmetrical chaise lounge to petite children’s chairs, from detailed graphics to thunderous gongs; this artist …

Harry Bertoia - Bertoia 'Untitled Abstraction' at 1stDibs

    https://www.1stdibs.com/art/prints-works-on-paper/abstract-prints-works-on-paper/harry-bertoia-bertoia-untitled-abstraction/id-a_5892502/
    As an artist, Bertoia is revered for a style that was his alone. Bertoia’s metal sculptures are by turns expressive and austere, powerful and subtle, intimate in scale and monumental. All embody a tension between the intricacy and precision of Bertoia’s forms and the raw strength of his materials: steel, brass, bronze and copper.

Harry Bertoia - Spray For Sale at 1stDibs

    https://www.1stdibs.com/art/sculptures/abstract-sculptures/harry-bertoia-spray/id-a_5075231/
    As an artist, Bertoia is revered for a style that was his alone. Bertoia’s metal sculptures are by turns expressive and austere, powerful and subtle, intimate in scale and monumental. All embody a tension between the intricacy and precision of Bertoia’s forms and the raw strength of his materials: steel, brass, bronze and copper.Brand: 1stdibs

Harry Bertoia Untitled (Early Welded Form) (c. 1950) Artsy

    https://www.artsy.net/artwork/harry-bertoia-untitled-early-welded-form
    A successful designer at the mid-century furniture company Knoll, Bertoia famously designed their “Diamond chair”, a delicate and airy steel-framed chair introduced in 1952 and still sold today. He would later devote his artistic energy towards innovative sculpture, finding ways to bend and stretch metal so that when crossed with wind or touch, it would create different sounds.

143: HARRY BERTOIA, Untitled (Early Welded Form) < The ...

    https://www.wright20.com/auctions/2019/04/the-robert-ruth-vogele-collection/143
    Bertoia designed five chairs out of wire that would become icons of the period, all of them popular and all still in production today. The success of his chair designs for Knoll afforded Bertoia the means to pursue his artistic career and by the mid-1950s he was dedicated exclusively to his art.

Harry Bertoia Untitled (ca. 1970) Available for Sale ...

    https://www.artsy.net/artwork/harry-bertoia-untitled-1827
    A successful designer at the mid-century furniture company Knoll, Bertoia famously designed their “Diamond chair”, a delicate and airy steel-framed chair introduced in 1952 and still sold today. He would later devote his artistic energy towards innovative sculpture, finding ways to bend and stretch metal so that when crossed with wind or touch, it would create different sounds.

Press Releases Huntington Museum of Art

    https://www.hmoa.org/about-us/press-releases/P15
    Bertoia had been recommended to Dean by Roberta Emerson, Director of the Huntington Museum of Art, who knew of his work through the artist’s sculpture in the museum’s holdings. Dean hoped that Bertoia’s work could be placed in a spot in front of the Center that had already been designed to house a fountain (construction on the Student Center had begun in 1969, well before the air tragedy occurred).

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