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https://www.artsy.net/artist/robert-frank
Biography. One of the most acclaimed photographers of the 20th century, Robert Frank is best known for his seminal book The Americans, featuring photographs taken by the artist in the mid-1950s as he traveled across the U.S. on a Guggenheim fellowship. These photographs feature glimpses of highways, cars, parades, jukeboxes, and diners as iconic symbols of America while simultaneously suggesting …Nationality: American
https://www.nga.gov/press/backgrounder/bio-robertfrank.html
Artist Biography: Robert Frank. Born in 1924 in Zurich, Switzerland, Robert Frank was raised in comfortable, middle-class surroundings. His father, Hermann Frank, of Frankfurt-am-Main, Germany, was a successful and well-educated businessman, who was an amateur photographer and interested in art; his mother, Regina, of Basel, was the daughter of a wealthy factory owner.
https://www.howardgreenberg.com/artists/robert-frank
With films such as Pull My Daisy, 1959, made with the painter Alfred Leslie and including Allen Ginsberg, Peter Orlovsky, and Gregory Corso and with narration by Kerouac, or Me and My Brother, 1968, Frank established himself as a leading avant-garde filmmaker.
https://www.danzigergallery.com/artists/robert-frank?view=slider
Robert Frank was born in Zurich in 1924. He began his career in photography in the mid-1940s before emigrating to America in 1947. There his bold photographs brought him to the attention of the legendary art director of Harper’s Bazaar, Alexey Brodovich, and Frank was hired as a roving fashion photographer. The job allowed Frank to travel back and forth to Europe where he produced two significant bodies of …
https://www.theartstory.org/artist/frank-robert/artworks/
While working on assignments for Harper's Bazaar, Frank made the acquaintance of the Russian art director and photographer, Alexey Brodovitch and it was the Russian who encouraged Frank's to pursue his goal of developing a new and authentic photographic art. Brodovitch urged his mentee to take greater risks in his work and emboldened Frank to 'unlearn' the studio practices he had learned since his time …
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