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https://www.britannica.com/biography/Rogier-van-der-Weyden
Rogier’s art was also a vehicle for transporting the Flemish style throughout Europe, and during the second half of the 15th century his influence dominated painting in France, Germany, and Spain. Portrait of a Lady, oil on panel by Rogier van der Weyden, c. 1460; in the National Gallery of Art, Washington, D.C. 34 × 25.5 cm.
https://www.artble.com/artists/rogier_van_der_weyden
Rogier van der Weyden never signed any of his paintings, but scholars know a man of this name was living and painting in Belgium during the 1400s and have worked in recent years to identify paintings that were most likely created by him. Van der Weyden's style is most often characterized as one that paid special attention to human emotion.
https://www.theartstory.org/artist/van-der-weyden-rogier/
Rogier van der Weyden was one of the most significant and influential artists of the Flemish Northern Renaissance, along with Jan van Eyck and Robert Campin. He became the official painter of the city of Brussels, and made work for the Duke of Burgundy, ruler of the region at the time.
https://www.wikiart.org/en/rogier-van-der-weyden/
Rogier van der Weyden (Dutch: [roːˈɣiːr vɑn dɛr ˈʋɛi̯də (n)]) or Roger de la Pasture (1399 or 1400 – 18 June 1464) was an Early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces and commissioned single and diptych portraits.Nationality: Flemish
https://www.theartstory.org/artist/van-der-weyden-rogier/artworks/
The Miraflores Altarpiece is exemplary of Van der Weyden's style in details like the symbolic use of color in Mary's robes, where the white, red, and blue represent her purity, compassion and suffering, and faith, respectively. The tension between surface and depth is also characteristic, as is the play with trompe-l'oeil and "real" elements.
https://answers.yahoo.com/question/index?qid=20120930112008AA2RsxB
Sep 30, 2012 · Jan van Eyck explored reality through light and color - every detail of a scene, every fold of a garment recorded with almost microscopic precision (see Arnolfini Portrait) Unlike the serene calm of van Eyck's paintings, Rogier van der Weyden strove to create scenes emphasizing suffering, emotional drama and pathos. emotional drama and pathos ...
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