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Platform

    http://rolandesouliere.com.au/artists_profile.php
    Rolande (Wassay) Souliere was born in Toronto, Ontario and is Anishinaabe and member of Michipicoten First Nation. Souliere became a contemporary artist when she migrated to Australia in the late nineties. Prior to this her artistic knowledge was grounded in her First Nation heritage.

Rolande Souliere :: biography at :: at Design and Art ...

    https://www.daao.org.au/bio/rolande-souliere/biography/
    Artist (Installation Artist), Artist (Sculptor), Artist (Mixed Media Artist) Rolande Souliere is an Australian-based and Canadian-born artist of Anishinabe descent and is a member of Michipicoten First Nation. Souliere produces work that juxtaposes her Anishinabek culture and contemporary life in a globalised environment as inspired by her Indigenous upbringing in Canada and her life in Australia …

Rolande Souliere Wall Street International Magazine

    https://wsimag.com/art/51921-rolande-souliere
    Mar 26, 2019 · Rolande Souliere. Courtesy of Contemporary Art Gallery. The multi-media practice of Australia-based Anishinaabe artist Rolande Souliere entangles the visual language of hard-edged geometric abstraction with that of contemporary traffic signage to consider how colonial infrastructures mark both spaces and the people inhabiting them.Estimated Reading Time: 5 mins

Rolande Souliere - ArtSpace

    https://www.artspace.org.au/program/52-actions/project-1/rolande-souliere/
    Multi-media artist, Rolande Souliere is best known for her large-scale site specific immersive installations created from caution and street barrier tape to address how colonial infrastructures define, mark and control space and the inhabitants within them. For a decade, Souliere has been working with material and metaphors of the road to address how systems, namely political and cultural systems …

Form and Content

    http://www.rolandesouliere.com.au/
    Form and Content, detail installation at Forest City Gallery, 2019. Image courtesy of the artist. Form and Content, Painting No. 4, detail, 45m x 3m approximate. Photo courtesy of the artist. Form and Content, Painting No. 1, 2017-2018, installation view at Museum of Contemporary Native Art, Sante Fe, NM, 11 m x 3 m. Photo credit Jason Ordaz.

Rolande Souliere - Contemporary Art Gallery

    https://www.contemporaryartgallery.ca/exhibitions/rolande-souliere-frequent-stopping-iv-and-v/
    Rolande SouliereFrequent Stopping IV and VApril 5 – September 22, 2019CAG Façade and off-site at Yaletown-Roundhouse Station. The multi-media practice of Australia-based Anishinaabe artist Rolande Souliere entangles the visual language of hard-edged geometric abstraction with that of contemporary traffic signage to consider how colonial infrastructures mark both spaces and the people inhabiting them.Estimated Reading Time: 7 mins

Rolande Souliere, Artist - Sydney Akimbo

    https://akimbo.ca/akimblog/rolande-souliere-artist-sydney/
    Rolande Souliere, Artist – Sydney Rolande Souliere was born in Toronto, is a member of Michipicoten First Nation, and is also an Australian citizen. She has obtained a …Estimated Reading Time: 3 mins

Rolande Soulière - 1 Artworks, Bio & Shows on Artsy

    https://www.artsy.net/artist/rolande-souliere
    Find the latest shows, biography, and artworks for sale by Rolande Soulière

Rolande Souliere Artist Art for Sale Biography, Past ...

    https://www.artist-info.com/users/artsitpublicpage/236283
    Rolande Souliere: 1 exhibitions from Dec 2012 - May 2013, exhibition venues worldwide of artist Rolande Souliere, Exhibition History, Summary of artist-info.com records, Solo/Group Exhibitions, Visualization, Biography, Artist-Portfolio, Artwork Offers, Artwork Requests, Exhibition Announcements

Rolande Souliere: Frequent Stopping IV and V ...

    https://www.artsy.net/show/contemporary-art-gallery-rolande-souliere-frequent-stopping-iv-and-v
    The multi-media practice of Australia-based Anishinaabe artist Rolande Souliere entangles the visual language of hard-edged geometric abstraction with that of contemporary traffic signage to consider how colonial infrastructures mark both spaces and the people inhabiting them.

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