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When the Harlem Renaissance began Harlem was an impoverished area, home to a large black population. Many artists involved in this movement were poor themselves and could not monetarily support a cultural revolution.The Harlem Renaissance was financially dependent on wealthy, white patrons. These patrons supported the artists of the Harlem Renaissance, often by paying artists themselves to produce art. …
https://blogs.ubc.ca/becprice223/2013/03/19/patronage-or-patronizing-the-white-role-in-the-renaissance/
Mar 19, 2013 · Van Vechten, on the other hand, was one of the most controversial white patrons that white and black scholars both felt a “strong prejudice against” (Kellner, 124). The circulation of his book Nigger Heaven quickly instigated criticism, as it reinforced black stereotypes by focusing primarily on the seedy side of Harlem. This isn’t to say that Van Vechten’s admiration for the black arts wasn’t …
https://philanthropicdollars.weebly.com/patrons.html
part of "Miss Anne", a group of white female patrons referred to in literature; she collected African art and had an "obsession with African primitivism," a philosophy that valued simplicity in African art (Buck 3) insisted on being called "Godmother" sponsored artists such as Alain Locke, Langston Hughes, Zora Neele Hurston, Aaron Douglas, and others
https://www.history.com/topics/roaring-twenties/harlem-renaissance
Jan 21, 2021 · White patron Van Vechten helped bring more serious lack stage work to Broadway, though largely the work of white authors. It wasn’t until 1929 that a …
https://www.workersliberty.org/story/2020-10-27/black-culture-and-resistance-harlem-renaissance
Oct 27, 2020 · In his 1926 essay, The Negro Artist and the Racial Mountain, Hughes recognised the pressure on black artists from white patrons (and from well-heeled black people) and urged black artists to be true to themselves. It was poor, working-class, young blacks who were building the cultural autonomy that Hughes advocated and which epitomised the Harlem Renaissance.
https://thefactsofwhiteness.org/the-harlem-renaissance/
The notion of the black gaze, of listening and accepting what the black community has observed and experienced living in a white supremacist world, can be seen in the cultural and artistic expressions of the Harlem Renaissance. The work of many of the artists of the renaissance such as Aaron Douglas, Archibald Motley and Jacob Lawrence and writers such as Zora Neale Hurston and Langston …
https://aalbc.com/content.php?title=African+American+Literature+During+the+Harlem+Renaissance
Mar 01, 2020 · “Charlotte Osgood Mason was the principle female white patroness, or philanthropist, of the Harlem Renaissance. She gave enormous amounts of money to black writers. Without her we might not know Langston Hughes and his poetry, and we might not know Zora Neale Hurston and her anthropology and her novels.” Kaplan goes on to say;
https://blackthen.com/charles-henry-alston-prominent-artist-and-educator-during-the-harlem-renaissance/
Mar 20, 2020 · Charles Henry Alston was a prominent artist and teacher during the Harlem Renaissance. He was born in Charlotte, North Carolina; after his father died, his mother relocated the family to New York. Alston later attended DeWitt Clinton High School and graduated from Columbia University in 1939. In 1931, he received his master's degree from ...
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