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History of Art: Romanticism - John Constable

    http://www.all-art.org/neoclasscism/constable1.html
    John Constable (b East Bergholt, Suffolk, 11 June 1776; d Hampstead, 31 March 1837). English painter and draughtsman.

John Constable and Landscape in Romanticism Mustafa's Blog

    https://sites.psu.edu/mhammudi/2013/03/21/john-constable-and-landscape-in-romanticism/
    Mar 21, 2013 · John Constable and Landscape in Romanticism Posted on March 21, 2013 by Mustafa Hammudi I’m sorry if I’ve already discussed Constable on here, but I just had to bring him up again. Constable was an early-mid nineteenth century landscape artist.

John Constable (Landscape Painting, Romanticism): Art ...

    https://parentingpatch.com/john-constable-landscape-painting-romanticism-art-lesson-plan/
    Sep 12, 2019 · John Constable (June 11, 1776 to March 31, 1837, age 60) was an English Romantic landscape painter in the naturalistic tradition. He was born in Suffolk, England. His paintings are now among the most popular and valuable in British art, but he was not financially successful as an artist …

Constable and the English Landscape (article) Khan Academy

    https://www.khanacademy.org/humanities/becoming-modern/romanticism/england-constable-turner/a/constable-and-the-english-landscape
    Arts and humanities Europe 1800 - 1900 Romanticism England (Constable, Turner, Martin and Nash) England (Constable, Turner, Martin and Nash) Constable and the English Landscape. This is the currently selected item. Constable, Wivenhoe Park. Constable, The Hay Wain (Landscape: Noon)

John Constable Paintings, Bio, Ideas TheArtStory

    https://www.theartstory.org/artist/constable-john/
    Constable was a pioneering advocate of realistic depictions of the natural world. He rejected contemporary styles of landscape painting stating that "The great vice of the present day is bravura, an attempt to do something beyond the truth".Nationality: British

Romanticism Essay The Metropolitan Museum of Art ...

    http://www.metmuseum.org/TOAH/hd/roma/hd_roma.htm
    Constable’s subjective, highly personal view of nature accords with the individuality that is a central tenet of Romanticism. This interest in the individual and subjective—at odds with eighteenth-century rationalism—is mirrored in the Romantic approach to portraiture.

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