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https://artistpractice.com/tag/rosalie-gascoigne/
Posts about Rosalie Gascoigne written by Deidhre Wauchop. I created this image of ‘Egoity’, or the ‘self-aware’ individual, to illustrate a paper I wrote about the uniqueness of art knowledge and its importance in education when I was studying for my Masters in 1991.
https://www.artgallery.nsw.gov.au/collection/artists/gascoigne-rosalie/
Rosalie Gascoigne is renowned for her sculptural assemblages of great clarity, simplicity and poetic power. Using natural or manufactured objects, sourced from collecting forays, that evoke the lyrical beauty of the Monaro region of New South Wales, her work radically reformulated the ways in which the Australian landscape is perceived.
https://www.ngv.vic.gov.au/wp-content/uploads/2014/10/ngv_edu_edres_gascoigne_materials.pdf
Travelling around the countryside collecting materials was integral to Gascoigne’s art practice. Materials were stored in her home/studio, where they became part of her environment until the time came for them to be used. Gascoigne worked intuitively with no preliminary drawings or plans.
https://www.daao.org.au/bio/rosalie-gascoigne/biography/
A work that highlights Gascoigne’s artmaking practice and the main themes she explored is Great Blond Paddocks. The work was acquired by the Art Gallery of New South Wales with funds from the Art Gallery of NSW society. Great Blond Paddocks consists of long, narrow, rectangular pieces of sawn wooden soft drink crates arranged on wood.
https://www.ngv.vic.gov.au/school_resource/rosalie-gascoigne/
This education resource accompanies the exhibition Rosalie Gascoigne (2008–2009) which surveyed the career of this acclaimed Australian artist. The exhibition investigated the artist’s ability to draw creative inspiration from found materials, her intrinsic response to these materials, and her unique ability to convey the essence of nature and the effects of light, air and space.
https://shop.nfsa.gov.au/assets/files/AB7_Rosalie%20Gascoigne_TN.pdf
Rosalie Gascoigne 1917–1999 Artist A series that profiles some of the most extraordinary Australians of our time This program is an episode of Australian BiographySeries 7 produced under the National Interest Program of Film Australia. This well-established series profiles
https://www.artlink.com.au/articles/4638/art-and-feminism-generations-and-practice/
Rosalie Gascoigne’s sculptural installations from materials found in the landscape or urban areas is a more conventional Zen poetic with its roots in Ikebana flower arrangement and arte-povera.
https://theculturetrip.com/pacific/australia/articles/sea-of-plastic-an-artists-quest-to-address-ocean-pollution/
When Kurt Schwitters started making collages out of recycled paper and found objects in the 1920s, recycled art was born. From there, the concept evolved – from John Chamberlain’s metal ‘assemblages’ and Rosalie Gascoigne’s salvaged road signs to Lauren Berkowitz’s large-scale installations that featured thousands of used plastic bags.
https://belindaconiglio.files.wordpress.com/2009/02/vaprogramunit.pdf
Informal Assessment: Case study in VAPD of one work of Rosalie Gascoigne and one work of Tracey Moffatt including a completed conceptual framework diagram for each. In Class Extended Response focusing on practice, the relationship between world-artist-artwork and subjective frame on both Tracey Moffatt and Rosalie Gascoigne.
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