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https://www.oxfordreference.com/view/10.1093/oi/authority.20110803100354779
From 1918 to 1921 he was active in the organization of Narkompros and in 1921 he was one of the founders of the Petrograd (St Petersburg) section of Inkhuk. During the 1920s he was one of the most widely read of Russian writers on art. He believed that modern art criticism should be scientific and even tried to reduce the creative process to a mathematical formula: S (Pi + Pii + Piii…)Y = T, where S is the sum of the principles (P), Y is intuition, and T is artistic …
http://www.russia-ic.com/people/culture_art/p/687/
Art historian, art critic Nikolay Punin was born in 1888 in Helsingfors (Helsinki). He was a graduate of the Tsarskoye Selo gymnasium of 1907. From 1913 till 1916 he was a contributor of the Apollo magazine, for the sake of which he even had to leave his university career.
http://www.sothebys.com/en/auctions/ecatalogue/lot.469.html/2007/russian-art-n08302
Nikolai Punin (1888-1953) was one of the most articulate Soviet art critics who strongly advocated Constructivism. After the Bolshevik Revolution of 1917, Punin edited such important publications as Iskusstvo Kommuny and Izobrazitel'noe iskusstvo. Writing for major Russian periodicals, Punin also joined the Petrograd Visual Arts Department (IZO) of the People's Commissariat of Enlightenment …
https://books.openedition.org/obp/4659
Nikolai Punin (1888–1953) still remains an enigma both in Russia and the west, perceived by many as a ‘red commissar’, being the right hand of Anatoly Lunacharsky.1 Punin’s role in defining post-revolutionary art and his support for avant-garde artists (especially the Futurists) are much better known than his contribution to the rediscovery, study, and indeed preservation of Russian icons.2 This chapter examines the origins and impact of Punin’s interest in Russian …Author: Natalia Murray
https://commons.wikimedia.org/wiki/Category:Nikolay_Punin
Media in category "Nikolay Punin" The following 2 files are in this category, out of 2 total. Nikolay Punin, cover design by Kazimir Malevich, 1920, Petrograd, RSFSR - Museum für Angewandte Kunst Köln - Cologne, Germany - DSC09479.jpg 3,522 × 4,566; 7.15 MBCountry of citizenship: Russian Empire, Soviet Union
https://www.ucpress.edu/book/9780520253728/russian-and-soviet-views-of-modern-western-art-1890s-to-mid-1930s
Jun 01, 2009 · 75 Nikolai Punin, “The Third International” (1919) 76 Konstantin Krainii [Umanskii], “The International of Art (The Tasks Confronting the International Union of Fine Arts Workers)” (1919) 77 Vasily Kandinsky, “The Great Utopia” (1920)
https://en.wikipedia.org/wiki/Soviet_art
The position of the Fine Arts department was most fully expressed by Nikolai Punin in 1919, who wrote: «If the depiction of the world does aid cognition, then only at the very earliest stages of human development, after which it already becomes either a direct hindrance to the growth of art or a class-based interpretation of it», and that ...
https://books.google.com/books/about/Russian_and_Soviet_Views_of_Modern_Weste.html?id=76cwDwAAQBAJ
Jun 10, 2009 · From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural ...
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