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‘The Green Donkey’, Marc Chagall, 1911 Tate

    https://www.tate.org.uk/art/artworks/chagall-the-green-donkey-n05758
    Artwork page for ‘The Green Donkey’, Marc Chagall, 1911 While living in Paris between 1910 and 1914 Chagall made many works based on nostalgic memories of his Russian homeland. The naïve style and curious subject of this painting reflect the artist’s preoccupation with folk traditions, particularly those of his Jewish heritage.

Olga Rozanova - Wikipedia

    https://en.wikipedia.org/wiki/Olga_Rozanova
    Olga Vladimirovna Rozanova (also spelled Rosanova, Russian: Ольга Владимировна Розанова) (22 June 1886 – 7 November 1918, Moscow) was a Russian avant-garde artist painting in the styles of Suprematism, Neo-Primitivism, and Cubo-Futurism.

Natalia Goncharova - Wikipedia

    https://en.wikipedia.org/wiki/Natalia_Goncharova
    Natalia Sergeevna Goncharova was a Russian avant-garde artist, painter, costume designer, writer, illustrator, and set designer. Goncharova's lifelong partner was fellow Russian avant-garde artist Mikhail Larionov. She was a founding member of both the Jack of Diamonds, Moscow's first radical independent exhibiting group, the more radical Donkey's Tail, and with Larionov invented Rayonism. She was also …

Natalia Goncharova - 66 artworks - painting

    https://www.wikiart.org/en/natalia-goncharova/
    Natalia Sergeevna Goncharova (Russian: Ната́лья Серге́евна Гончаро́ва, IPA: [nɐˈtalʲjə sʲɪrˈɡʲejɪvnə ɡəntɕɐˈrovə]; July 3, 1881 – October 17, 1962) was a Russian avant-garde artist, painter, costume designer, writer, illustrator, and set designer. Natalia Sergeevna Goncharova was born on July 3, 1881, in Nagaevo (now in the Chernsky District of Tula Oblast).

Natalia Goncharova Artworks & Famous Paintings TheArtStory

    https://www.theartstory.org/artist/goncharova-natalia/artworks/
    Goncharova adds a national sentiment with her inclusion of the Russian donkey, and furthermore and most originally, gives the work a religious dimension. The overall meaning of the painting is in fact far removed from Cézanne and Matisse, whose works likely inspired its brushstroke and composition.

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