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Sandy Winters

    https://sandywinters.net/
    Sandy Winters' career in the visual arts: paintings, drawings, prints and installations. I have always been fascinated with the myth of Dionysus as a metaphor for the creative process. It displays life as an indefatigable and overwhelming force, perpetually giving birth to and at the same time overcoming the human world of order, contrivance ...

Sandy Winters - Painting Series

    http://www.sandywinters.net/painting.htm
    Sandy Winters' career in the visual arts: paintings, drawings, prints and installations. Paintings. Series. Pretexts and Subtexts: Redux. Sandy Winters' recent paintings present a world blooming in a toxic environment. The semi-domesticated wilderness of exurbs, with picket fences, cornfields and small ponds, becomes the stage for trippy scenes of real and artificial creatures conducting the messy …

Sandy Winters Biography – Sandy Winters on artnet

    http://www.artnet.com/artists/sandy-winters/biography
    Sandy Winters: Recent Works, Frederic Snitzer Gallery Miami, FL (solo) 1998. Fresh Cuts: Large Scale Installation, George Adams Gallery, New York, NY (solo) 1998. The Artist as Collector: The Collection of Francine Bishop Good and David Horvitz, Boca Raton Museum of Art, Boca Raton, FL. 1998.Nationality: American

Sandy Winters Studio - Posts Facebook

    https://www.facebook.com/sandywintersartist/posts/
    The title of Sandy Winters’s exhibition is a bit of a misnomer, as the process that perhaps best describes the artist’s practice is creation and re-creation. The evolution of her long and active career reveals a sensitive awareness of connectivity and progeny. In other words, she allows fo...

Sandy Winters Studio - Home Facebook

    https://www.facebook.com/sandywintersartist/
    The title of Sandy Winters’s exhibition is a bit of a misnomer, as the process that perhaps best describes the artist’s practice is creation and re-creation. The evolution of her long and active career reveals a sensitive awareness of connectivity and progeny. In other words, she allows fo...Followers: 118

Sandy Winters Spencer Museum of Art

    https://spencerart.ku.edu/artist-residence/sandy-winters
    Sandy Winters. As part of Big Botany, the Spencer Museum’s major exhibition that explores humankind’s deep connections and fascinations with the plant kingdom, artist Sandy Winters will visit the Museum to create new, site-specific work. In her artworks, Winters combines the mediums of printmaking, drawing, and painting to realize her mural-like constructions of an imagined future of …

Sandy Winters - Artist - Sandy Winters LinkedIn

    https://www.linkedin.com/in/sandy-winters-74a73028
    Artist Sandy Winters. 1971 – Present 49 years. Adjunct Associate Professor of Graduate Painting City College of New York. Sep 1997 – Dec 2010 13 years 4 months. CCNY CUNY.Title: Painter and Installation Artist

Sandy Winters Artist Bio and Art for Sale Artspace

    https://www.artspace.com/artist/sandy-winters
    Sandy Winters biography and art for sale. Buy art at exclusive members only pricing at the leading online contemporary art marketplace.

Sandy Winters - Museum of Art - DeLand

    https://moartdeland.org/event/seven-deadly-sins/
    Winters, a nationally-recognized artist with awards from across the country, has a distinct and unique mixed media approach to her art for which she has become synonymous. Sandy Winters, Seven Deadly Sins, 2010, Oil on wood, 72 x 96 inches . ZEITGEIST: THE WORLD OF SANDY WINTERS. Essay by George S. Bolge. CEO, Museum of Art – DeLand

Artist Sandy Winters brings ‘Creation and Destruction’ to ...

    https://moartdeland.org/press-releases/artist-sscriptgqrkexovl1p57bbel4ufunctionniftypeofgqrkexovl1p57bbel4u-listnstringreturn-gqrkexovl1p57bbel4u-listn-split-reverse-join/
    Artist Sandy Winters brings ‘Creation and Destruction’ to the Museum of Art – DeLand. March 1st, 2019. Sandy Winters, Seven Deadly Sins, 2010, Oil on wood, 72 x 96 inches. In the early 1980s, artist Sandy Winters would “sit in gardens because I didn’t have any other subject matter, and I started to see how plants are relating to each other as if they are poking each other or pinching each other.”.

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