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Critical Analysis of one Designer. – Saul Bass George ...

    https://georgealborn.wordpress.com/2013/10/20/critical-analysis-of-one-designer-saul-bass/
    Oct 20, 2013 · Critical Analysis of one Designer. – Saul Bass. Saul Bass was a world renowned and respected graphic designer. Saul Bass sadly passed away in 1996, but left an inspiring collection of work. Bass is known mostly for his film-making, poster design and corporate logos.

Saul Bass Biography, Designs, & Facts Britannica

    https://www.britannica.com/biography/Saul-Bass
    Saul Bass, (born May 8, 1920, Bronx, New York, U.S.—died April 25, 1996, Los Angeles, California), American graphic designer and filmmaker who introduced a new art form with his imaginative film title sequences that conveyed the essence of a movie and prepared audiences for what they were about to see. Bass was a creative child who enjoyed drawing.

Saul Bass — Art of the Title

    https://www.artofthetitle.com/designer/saul-bass/
    Saul Bass. Saul Bass (May 8, 1920 — April 25, 1996) was a graphic designer and filmmaker, perhaps best known for his design of film posters and title sequences. Saul worked side-by-side with his wife Elaine Bass for much of his career. During his 40-year career Bass worked for some of Hollywood’s greatest filmmakers, including Alfred Hitchcock, Stanley Kubrick, Otto Preminger, Billy Wilder, and …

How Graphic Designer Saul Bass Revolutionized the Movie ...

    https://www.dwell.com/article/saul-bass-movie-posters-05196b16
    Sep 10, 2019 · Saul Bass helped define the visual culture of the 1950s—most notably through creating memorable movie posters that are still resonant today. It might be the most memorable film poster of all time. Striking graphics, striking color contrast, and minimalism challenged everything we knew about movie marketing, making the Vertigo poster a pivotal ...

Saul Bass and Why Man Creates: A Must Watch for Creatives

    https://batesmeron.com/why-man-creates/
    Aug 29, 2017 · Why Man Creates is a short documentary filmed by the singular graphic design titan Saul Bass and screenwriter Mayo Simon in 1968. It addresses creativity in a way I’ve never seen, by attempting to answer questions like where creativity comes from and why it exists, and lending the viewer very interesting perspectives along the way.

Anatomy of a Murder (1959) — Art of the Title

    https://www.artofthetitle.com/title/anatomy-of-a-murder/
    And it was the role of a lettering artist to design these slates. Thanks to pioneers like Pablo Ferro, Maurice Binder or Saul Bass, these static informative slates were eventually transformed, giving birth to the discipline of film title sequence in the early ’50s. The marriage of graphic design and moving images created this new way of ...

Vertigo (1958) — Art of the Title

    https://www.artofthetitle.com/title/vertigo/
    <p>There is a threshold in art and design where a work can become so iconic as to transcend its own scope and become a symbol for its medium. Consider Warhol&rsquo;s soup cans or Mondrian&rsquo;s color fields, or &ndash; to bring it closer to home &ndash; Saul Bass&rsquo; iconic AT&amp;T or United Airlines logos. And just as it would be difficult to find an American unfamiliar with these works ...

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