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Sephardic Music: A Century of Recordings

    https://www.sephardicmusic.org/
    Introduction. This website showcases over 100 years of recorded Sephardic music, from the 78 rpm era to the present. It first explores in detail the earliest Sephardic recordings, the artists that made them, and their repertory and performance practices.These early recordings tell a rich story of Sephardic musical life in the first half of the 20th century.

Top sephardic artists Last.fm

    https://www.last.fm/tag/sephardic/artists
    Browse the top sephardic artists to find new music. Scrobble songs to get recommendations on tracks you'll love.

Sephardic Music: A Century of Recordings

    https://www.sephardicmusic.org/78survey.htm
    1906-1913: The First Recordings Commercial Sephardic recording began in 1906 or 1907 in Constantinople, when Salomon Effendi(Salomon Algazi) recorded Noche Buena ♪for the Odeon Record company. (1) In a burst of activity from 1906 to 1913, four companies recorded nearly 215 Sephardic songs, laying down

Artists - The Sephardic Music Festival

    https://www.sephardicmusicfestival.com/artists/
    Artists. Sarah Aroeste Band More Info. Moshav More Info. Diwon More Info. Miki Gavrielov More Info. Nurya More Info. Pharaoh’s Daughter More Info. Yair Dalal More Info. ... Anthony Coleman’s Sephardic Tinge More Info. Y-Love More Info. Divahn More Info. Haale More Info. Isramerica House Band More Info. Lily Henley More Info. Levi Mordechai ...

Sephardic Music: A Century of Recordings

    https://www.sephardicmusic.org/appendix-78labels.htm
    Click here for a (long!) list of Sephardic 78s, ordered first by label and then by catalog number. Modern Recordings with 78-era Songs In an age that has seen the re-release of literally thousands of 78s, the current crop of Sephardic 78s and 78-era recordings available in modern formats is meager, indeed.

Sephardic Music: A Century of Recordings

    http://www.sephardicmusic.org/78repertory.htm
    Traditional Sephardic vocalists employed microtonal ornaments, and nasal-centered singing. (11) Using examples from the two most prominent Sephardic recording artists singing the same liturgical song, Haim Effendi's ornamentation in Avino malken seems restrained when compared with Isaac Algazi's virtuoso style. (12) (Seroussi, 2008) For ...

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