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https://simonfarid.com/art
’Simon Farid Codified in numbers, traces, digital and biological, publicly owned, private enterprise, free and regulated’ Performance presenting all my institutional identifiers and passwords. ’Editing Grant Shapps’ Re-enactment of Grant Shapps’ editing of his Wikipedia page. ’Collaborations’ A …
https://simonfarid.com/cv
https://www.artsadmin.co.uk/profiles/simon-farid/
Simon Farid is a visual artist and invigilator at a major art gallery. He lives, works and works in London. Over the last nine years, these two careers and labours have allowed him to work with people who have critical, challenging, exciting practices. Both have led to some personally important moments, emotionally and intellectually, and many more of boredom and disappointment.
https://simonfarid.com/writing
Writing. A text ‘NO TALKING//NO READING//NO DRAWING’ Exhibition Catalogue. Transforming Finance Conference 2019 University of Greenwich, London. February '19 ‘London as Artist’s Studio’ ‘WAL-NUT’ magazine. London. May ‘18 ‘The Anthropomorphisation of Public Surveillance Machines’ . Six Foot, Glasgow. April ‘16
https://simonfarid.com/press
’Artist Steals Undercover Officer’s Fake Identity’ Discussion of ’Occupy Mark Stone’. Marina Galperina, ANIMAL. August ‘14 ’Accepting The Symbolic Mandate’ Essay about ’Being A.N.Other’. Jeroen van der Hulst. Pamphlet Magazine, April ‘14 ’Guest Who #1’ Discussion of ’Simon Farid Codified…’. Eline van …
http://www.d6culture.org/simon-farid.html
Simon Farid is an artist that worked with D6 on collaborative project Playground for CORNERS of Europe. Simon Farid is a sometime artist and moretime invigilator at an art institution in central London. He makes work exploring and exploiting this dual position, following three strategies: 1.
https://simonfarid.com/towards
Oct 27, 2018 · Simon Farid Statement Works Blog Writing Archives Press CV Ongoing and Forthcoming Towards an Art History of Art Gallery Guards. This installation noted artists who have been gallery guards at some point in their career, and playfully speculated as to the influence this labour has had of their art practices. ’A = Anonym ...
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