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The Eliminability of Artistic Acts - JSTOR

    https://www.jstor.org/stable/430752
    The Eliminability of Artistic Acts IN HIS BOOK Mind and Art, Guy Sircello distinguishes three ways in which anthropo-morphic or expressive properties are ascrib-able to works of art. 1. We might ascribe an anthropomnor-phic property to a work of art in virtue of features of that work which it could share with an object in nature. A scherzo and a

Mind and Art: An Essay on the Varieties of ... - JSTOR

    https://www.jstor.org/stable/j.ctt13x0s6s
    Book Description: Guy Sircello's analysis of the varieties of expression and his use of them to justify a particular view of the human mind clarify a number of controversial topics in contemporary philosophy, among them the notion of "artistic acts," language as expression, the expression of ideas, expressions as "natural signs," and the nature of the causal relationship between an expression ...

Mind and Art: An Essay on the Varieties of Expression ...

    https://www.amazon.com/Mind-Art-Varieties-Expression-Princeton/dp/0691606951
    Mar 08, 2015 · Guy Sircello's analysis of the varieties of expression and his use of them to justify a particular view of the human mind clarify a number of controversial topics in contemporary philosophy, among them the notion of "artistic acts," language as expression, the expression of ideas, expressions as "natural signs," and the nature of the causal relationship between an expression and what is …Cited by: 4

Guy Sircello - Wikipedia

    https://en.wikipedia.org/wiki/Guy_Sircello
    Nov 06, 2011 · Biography. Guy Sircello was born in Tacoma, Washington, and attended Lincoln High School.His parents were Pete and Teresa Sircello, and he had a younger sister, Teresa. Upon high school graduation, he was awarded the prestigious George Baker full four-year scholarship to Reed College, in Portland, Oregon, and graduated in 1958 with a double major in philosophy and history.Estimated Reading Time: 7 mins

Project MUSE - Mind and Art

    https://muse.jhu.edu/book/39369
    Guy Sircello's analysis of the varieties of expression and his use of them to justify a particular view of the human mind clarify a number of controversial topics in contemporary philosophy, among them the notion of "artistic acts," language as expression, the expression of ideas, expressions as "natural signs," and the nature of the causal relationship between an expression and what is expressed.Cited by: 1

(PDF) Art and Expression Richard Kulczak - Academia.edu

    https://www.academia.edu/5183330/Art_and_Expression
    This description of what the artist does to invoke our perception of expression is what Sircello calls 'artistic acts', whereby anthropomorphic predicates apply to works in which these acts are discovered. It is precisely the ability to discern an artistic act within a work that enables them to be expressions.

(PDF) Art, Emotion and Ethics - ResearchGate

    https://www.researchgate.net/publication/272765150_Art_Emotion_and_Ethics
    theory of “artistic acts” in order to explain how moral qualities in this sense can be attributed to works of art. According to Sircello, we can sp eak of an artwork as having moral qualities ...

Art, Style and Genre in Encyclopedia.com

    https://www.encyclopedia.com/humanities/encyclopedias-almanacs-transcripts-and-maps/art-style-and-genre
    In extending Wollheim's analysis Robinson also insists, in line with an early paper by Kendall Walton (1979), that an artist's individual style is properly identified not with some set of manifest features of the products of the artist's "artistic acts" (Sircello 1975), but with features of those acts themselves, "[Pictorial] style ultimately ...

Aesthetic Value, Artistic Value, and Morality [Penultimate ...

    https://philarchive.org/archive/SAUAVAv1
    71-3) and (Sircello 1972)). The object of moral appraisal is what a number of agents (the number varies in relation to the number of authors or people responsible for the ... where the artistic act is a type of action performed by rational agents—which can be collective in case there is more than one author. In this regard, the recognition of ...

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