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https://www.jstor.org/stable/2863021
Anguissola in the Siena portrait and several other works in the con- text of what was a fundamental problem for the Renaissance female artist: the differentiation of herself as artist (the subject position) from her self as trope and theme for the male artist (the object
http://www.3pp.website/2011/07/sofonisba-anguissola-and-problem-of.html
Jul 20, 2011 · Art is the great passion in my life and Mary D. Garrard's article Here’s Looking at Me: Sofonisba Anguissola and the Problem of the Woman Artist, is the embodiment of all that I find fascinating and stimulating about the creative process - how an artist can make a statement and express herself, in spite of the common ideals imposed on her by a confining society.
https://www.academia.edu/43811467/Heres_Looking_at_Me_Sofonisba_Anguissola_and_the_Problem_of_the_Woman_Artist
Here's Looking at Me: Sofonisba Anguissola and the Problem of the Woman Artist. Renaissance Quarterly, 1994. Mary D Garrard. Download PDF. Download Full PDF Package. This paper. ... Sofonisba Anguissola and the Problem of the Woman Artist Author(s): Mary D. Garrard Source: Renaissance Quarterly, Vol. 47, No. 3 (Autumn, 1994), pp. 556-622 ...
https://www.theartstory.org/artist/anguissola-sofonisba/
Summary of Sofonisba Anguissola. Sofonisba Anguissola was the first female artist of the Renaissance to achieve international fame during her lifetime. She had the ability to create life-like, sophisticated portraits that were intellectually engaging and flattering at the same time.Nationality: Italian
https://smarthistory.org/sofonisba-anguissola/
The 16th-century painter and author of Lives of the Artists, Giorgio Vasari, praised the work of Sofonisba Anguissola.Vasari wrote that Sofonisba, has laboured at the difficulties of design with greater study and better grace than any other woman of our time, and she has not only succeeded in drawing, colouring, and copying from nature, and in making excellent copies of works by other hands ...
https://www.artnews.com/art-in-america/features/sofonisba-anguissola-lavinia-fontana-italian-renaissance-women-painters-1202678831/
For Sofonisba Anguissola (ca. 1535–1625) and Lavinia Fontana (1552–1614), the subjects of the exhibition “A Tale of Two Women Painters,” on view at the Museo Nacional del …
https://www.britannica.com/biography/Sofonisba-Anguissola
The oldest of seven—six girls and one boy—Anguissola was born into a wealthy family. Like a true Renaissance man, her father, Amilcare Anguissola, was guided by the words of Baldassare Castiglione in Il cortegiano (The Courtier), not least in his consideration regarding the proper education of a young woman.In 1546 both Sofonisba and Elena, his second daughter, were sent to board in the ...
https://streetartmuseumtours.com/2021/02/28/sofonisba-anguissola-and-lavinia-fontana-famous-woman-artist/
Feb 28, 2021 · In honor of Women’s History Month, we’ve decided to take a historic look at women artists doing incredible things prior to the Industrial Revolution. And where better to start than with some famous Renaissance art … Sofonisba Anguissola and Lavinia Fontana Famous Woman Artist …
https://www.wikiart.org/en/sofonisba-anguissola/
The art historian Giorgio Vasari wrote about Anguissola that she "has shown greater application and better grace than any other woman of our age in her endeavors at drawing; she has thus succeeded not only in drawing, coloring and painting from nature, and copying excellently from others, but by herself has created rare and very beautiful ...
https://www.theartstory.org/artist/anguissola-sofonisba/life-and-legacy/
Biography of Sofonisba Anguissola Childhood. Born into the minor nobility, Sofonisba was the oldest of six daughters and one son. Growing up in her native Cremona, a northern Italian city then under Spanish dominion, Sofonisba developed under the careful guidance of her ambitious and erudite father.
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