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https://www.britannica.com/art/Latin-American-art
Latin American art, artistic traditions that developed in Mesoamerica, Central America, and South America after contact with the Spanish and the Portuguese beginning in 1492 and 1500, respectively, and continuing to the present. Read more about Latin America’s artists, movements, and media.
https://www.thecollector.com/10-iconic-cubism-art-and-their-artists/
May 30, 2020 · Pablo Picasso was a Spanish painter, printmaker, sculptor, and ceramicist who is known as one of the most prolific influences on 20th-century art. He, along with Georges Braque, founded the Cubism movement in the early 1900s. However, he also made significant contributions to other movements including Expressionism and Surrealism. His work was ...
https://artistssignatures.com/viewnatl.php?natl=Spanish
CARBONELL, Rafael. CARBONERO, Jose Moreno. CÀRDENAS, Marta. CARNICERO (Info Only) CARRIDO, Eduardo. CASANOVA Y ESTORACH, Antonio Salvador. CASANOVA, Domingo A. CASANOVA, Enrique (Info Only) CASAS Y CARBO, Ramon.
https://taos.org/what-to-do/arts-culture/taos-history/art-history/
Two of these people, Mabel Dodge and Millicent Rogers, independently discovered Taos in the early 1900s, settled, and began inviting their circles of creative friends to visit. The likes of DH Lawrence, Georgia O’Keeffe, and Ansel Adams came and created and invited more friends to visit. Many stayed and are part of the art history of Taos.
http://www.artcyclopedia.com/artists/women-artists-20th.html
Spanish Cubist Painter: Natalia Goncharova: 1881-1962: Russian Painter: Josephine Mahon: 1881-? American: Alexandra Exter: 1882-1949: Russian Painter/Designer: Anna Althea Hills: 1882-1930: American Painter: Emilie Sievert Weinberg: 1882-1958: American Painter: Jessie Arms Botke: 1883-1971: American Painter: Coco Chanel: 1883-1971: French Designer: Imogen Cunningham: 1883-1976
http://arthistoryteachingresources.org/lessons/modern-art-1900-50/
Futurism: a semi-abstract movement in early twentieth-century Italian and Russian art—exemplified here in the work of Umberto Boccioni—that took the vibrant colors of Neo-Impressionism and Cubism’s fragmenting of form and space and used those to create an art concerned principally with themes of motion, speed, and dynamism.
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