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https://www.bbc.com/culture/article/20140228-art-as-fierce-as-12-years-a-slave
Feb 28, 2014 · McQueen is an artist – one of the most important artists to come out of Britain in the last 25 years, in fact – and film critics’ considerations of 12 Years a Slave have felt, to this art critic at...
https://artsandculture.google.com/entity/steve-mcqueen/m01c0v6
For his artwork, McQueen has received the Turner Prize, the highest award given to a British visual artist. In 2006, he produced Queen and Country, which commemorates the deaths of British soldiers...
https://www.artsy.net/artist/steve-mcqueen
Biography Though Steve McQueen is best known for his heavy-hitting feature films Hunger, Shame, and the Oscar-winning 12 Years a Slave, these movies are just one element of the artist’s long-standing conceptual video art practice.Nationality: British
https://www.theguardian.com/artanddesign/2020/oct/17/warhol-steve-mcqueen-a-history-of-video-art-barbara-london
Oct 17, 2020 · Steve McQueen Caribs’ Leap/Western Deep, 2002 McQueen’s masterpiece follows African miners into the world’s deepest gold mine: the furthest humans have gone beneath the earth, where atmospheric...
https://www.britannica.com/biography/Steve-McQueen-British-director-screenwriter-and-artist
Steve McQueen, in full Steven Rodney McQueen, (born October 9, 1969, Ealing, near London, England), British director, screenwriter, and artist best known to the general public for his feature-length commercial films Hunger (2008), Shame (2011), and 12 Years a Slave (2013).
https://fineartamerica.com/art/steve+mcqueen
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https://www.artic.edu/artworks/185194/girls-tricky
English, born 1969 Steve McQueen creates reductive, often abstracted works, in which he pares down the projected image to its basic elements: light and dark, motion and stillness, silence and sound.
https://www.artic.edu/artworks/181091/caribs-leap-western-deep
English, born 1969 British artist Steve McQueen’s projected video and film installations are rich in cinematic tradition and compelling in content. His earliest works—black-and-white silent films—are indebted to 1960s structural filmmaking, wherein the mechanics of shooting and projection become essential components of the film’s subject.
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