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http://www.stuartbrisley.com/pages/4
This is the official website of Stuart Brisley (born 1933) including documentation of his work from the 1950s to the present. Stuart Brisley is widely regarded as the seminal figure of British performance art. Transgression is an action that crosses a threshold which allows thinking about limits.
https://aestheticamagazine.com/stuart-brisley/
Stuart Brisley (b. 1933) is often called the “godfather of British performance art.”. He began his career as a painter and a sculptor in the 1950s, and today still produces drawings, paintings, sculptures, and site-specific installations. But when he turned to performance in the late 1960s and early 1970s, his work broke fresh ground for performance art, taking it to a new and exciting level, galvanizing his career …
https://www.tate.org.uk/art/artists/stuart-brisley-813
Stuart Brisley (born 1933) is a British artist. Brisley studied at Guildford School of Art from 1949 to 1954 and at the Royal College of Art from 1956 to 1959. In 1959–60 he attended the Akademie der Bildenden Künste in Munich, Germany, and from 1960 to 1962 studied at Florida State University in Tallahassee, Florida, in the United States.
http://www.stuartbrisley.com/pages/21
Although often hailed as the 'godfather of British performance art', Brisley is a more complex figure, Emeritus professor at the Slade and enfant terrible of the art world since the 1960s [2] [3], whose seminal practice extends to painting, sculpture, community projects, pseudo-curatorial installations,sound, video, films and teaching.
http://1970s.thisisliveart.co.uk/stuart-brisley/
Stuart Brisley. Perhaps one of the most seminal Performance Artists from the UK, and one who defined the next generation’s understanding of a politicised visual practice, and the very definition of durational and endurance performance. Key works from the 1970s include And for today… nothing, 1972, Gallery House, Goethe Institute, London and 10 Days/5th Year Anniversary, 1978, (with Manfred Blob), Acme Gallery, London [see 72-82 by William Raban (a history of art and performance …
https://www.tate.org.uk/research/publications/performance-at-tate/perspectives/stuart-brisley
On the evening of 5 March 1968, performance artist Stuart Brisley arrived at the Tate Gallery for what had been billed in advance by the Sunday Times as a ‘demonstration’ and was described after the fact in the pages of Studio International as an ‘action-happening’. 1 But Brisley was not meant to be performing that particular night.
https://www.facebook.com/Stuart-Brisley-1704862449755746/
Brisley studied at Guildford School of Art from 1949 to 1954 and at the Royal College of Art from 1956 to 1959. In 1959–60 he attended the Akademie der Bildenden Künste in Munich, Germany, and from …
https://turf-projects.com/stuart-brisley-performance-interregnum/
Brisley has a sociopolitically engaged practice spanning 70 years, with a consistent ‘desire to challenge… established cultural expectations‘. Through his highly influential performance practice, ‘Brisley engages the audience and establishes a dialogue of action and reaction that induces a release from conventions of social behaviour.’
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