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Sublime Landscapes - Phoenix Art Museum

    https://phxart.org/exhibition/sublime-landscapes/
    Sep 15, 2018 · Sublime Landscapes celebrates this tradition of landscape painting with works drawn exclusively from the American art collection of Phoenix Art Museum. John Mix Stanley, Chain of Spires Along the Gila River (Cadena de chapiteles a lo largo del …

The Art of the Sublime - Tate

    https://www.tate.org.uk/art/research-publications/the-sublime/christine-riding-and-nigel-llewellyn-british-art-and-the-sublime-r1109418
    For example, looking back at seventeenth-century Italy, the Romantic theorists regarded the Neapolitan painter Salvator Rosa (1615–1673) as an able exponent of the sublime, pointing out that he used landscape (to quote the artist Henry Fuseli) as ‘a vehicle of terrour [sic]’, and delighted ‘in ideas of desolation, solitude, and danger’.3 By contrast, the work of the Frenchman Claude Gelée, better known as Claude Lorrain …

Alison Smith, 'The Sublime in Crisis: Landscape Painting ...

    https://www.tate.org.uk/art/research-publications/the-sublime/alison-smith-the-sublime-in-crisis-landscape-painting-after-turner-r1109220
    It was shown in New York in 1856 to great acclaim where it fuelled the ‘American Sublime’ as seen in the art of landscape painters such as Frederic Edwin Church and Albert Bierstadt …

The Art of the Sublime Tate

    https://www.tate.org.uk/art/research-publications/the-sublime
    The sublime has long been understood to mean a quality of greatness or grandeur that inspires awe and wonder. From the seventeenth century onwards the concept and the emotions it inspires have been a source of inspiration for artists and writers, particularly in relation to the natural landscape.

Sublime – Art Term Tate

    https://www.tate.org.uk/art/art-terms/s/sublime
    In landscape the sublime is exemplified by J.M. W Turner ’s sea storms and mountain scenes and in history painting by the violent dramas of Henry Fuseli. The notion that a legitimate function of art can be to produce upsetting or disturbing effects was an important element in Romantic art and remains fundamental to art today.

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