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Sue Doggett

    http://suedoggett.com/
    [email protected] bindings and commissions Beethoven - page 127 The 'Pastoral' Symphony Miniature board 2020 When I was a small child, my mother started to collect a series of EPs entitled ‘The Great ...

Shop - Sue Doggett

    https://www.suedoggett.com/Shop
    [email protected] bindings and commissions Beethoven - page 127 The 'Pastoral' Symphony Miniature board 2020 When I was a small child, my mother …

Art Sue Doggett Art

    https://suedoggettart.wordpress.com/art/
    Duck 20×20 cms Sunflowers 16x25cms Lacey leaves 35x24cms Peppers 54x36cms Hydrangea dk 54x36cms Summer pot 30x30cms Iris 30×30 cms Pears 1. 26×27 cms Apples & lemons 20x 29cms

memory objects - Sue Doggett

    https://www.suedoggett.com/memory-objects
    [email protected] bindings and commissions Beethoven - page 127 The 'Pastoral' Symphony Miniature board 2020 When I was a small child, my mother …

Sue Doggett Art

    https://suedoggettart.wordpress.com/
    Visit the post for more. I have always been fascinated be the idea of the absence of things. How much detail do we need to be able to identify an object and how much are we informed by our experiences?

Sue Doggett - Creative Profile

    https://selectedinspiration.com/community/profiles/sue-dogget
    Sue Doggett is an artist who creates hand-made books and bindings. Her creative interests include surface design, women’s history, sewing as drawing, the …Nationality: GB

Sue Doggett - Minnesota Center for Book Arts

    https://www.mnbookarts.org/drop-dead-gorgeous-sue-doggett/
    Sue Doggett is an artist who creates handmade books and bindings. Creative interests include surface design, women’s history, sewing as drawing, the role of craft practice, memory and the history of magic.

Sue Doggett's The Tempest, a unique artists' book - The ...

    https://collation.folger.edu/2011/08/sue-doggetts-the-tempest-a-unique-artists-book/
    Aug 29, 2011 · The Folger recently acquired a 1995 version of The Tempest by London book artist Sue Doggett that complicates the distinction. Readers of this one-of-a-kind book encounter Shakespeare’s text through Doggett’s artistry, where her choices of paper, lettering, imagery, texture, and color help interpret the selected scenes.

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