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The Conditions of Artistic Creation - Selva

    https://selvajournal.org/article/tj-clark-conditions-of-artistic-creation/
    The Conditions of Artistic Creation. Editorial note: T.J. Clark’s essay “The Conditions of Artistic Creation” originally appeared in the Times Literary Supplement in 1974. We republish it here alongside responses by four younger art historians (Sampada …

‘The Conditions of Artistic Creation’ 1974 by T.J. Clark

    https://urania-josegalisifilho.blogspot.com/2013/08/the-conditions-of-artistic-creation.html
    ‘The Conditions of Artistic Creation’ 1974 by T.J. Clark I could begin by saying that art history is in crisis, but that would have too strident a ring. Out of breath, in a state of genteel dissolution – those might be more appropriate verdicts.

‘The Conditions of Artistic Creation’ 1974 by T.J. Clark ...

    https://greatwritersfranzkafka2.blogspot.com/2013/08/the-conditions-of-artistic-creation.html
    Aug 01, 2013 · ‘The Conditions of Artistic Creation’ 1974 by T.J. Clark Posted on 02:38 by Unknown I could begin by saying that art history is in crisis, but that would have too strident a ring. Out of breath, in a state of genteel dissolution – those might be more appropriate verdicts.

WordPress.com

    https://lauradufresne.files.wordpress.com/2013/12/t-j-clark_the-conditions-of-artistic-creation.pdf
    Created Date: 12/2/2013 8:56:22 PM

Response - Rebecca Zorach

    https://selvajournal.org/article/responses-to-tj-clark/rebecca-zorach/
    So too, in different ways, are each of the responses. As I read T.J. Clark’s 1974 essay “The Conditions of Artistic Creation”—and let me say I read it as a symptom of its time and not of its author—one word leapt from the page: “feminist.”. Though we might now think of the social history of art and feminist art history as inextricably intertwined interventions in the history of the discipline, feminist art history …

For a Social History of the Hudson River School American ...

    https://www.journals.uchicago.edu/doi/10.1086/694059
    J. Clark, “The Conditions of Artistic Creation,” Times Literary Supplement, May 24, 1974, 561–62. At issue in Clark’s publications, as well as in the present essay, is the social history of art.

Griselda Pollock Feminist Interventions in Art's Histories*

    https://www.csus.edu/indiv/o/obriene/art192b/pollock-griselda-feminist-interventions.pdf
    logy is the fact that when, in 1974 the social historian of art T.J. Clark in an article in the Times Literary Supplement threw down the gauntlet from a marxist position he still entitled the essay »on the Conditions of Artistic Creations .6 Within a few years the …

For a Social History of the Hudson River School American ...

    https://www.journals.uchicago.edu/doi/full/10.1086/694059
    J. Clark, “The Conditions of Artistic Creation,” Times Literary Supplement, May 24, 1974, 561–62. At issue in Clark’s publications, as well as in the present essay, is the social history of art. For a summary history of this approach, see Alan Wallach, “On the Social History of American Art,” in A Companion to American Art, ed. John Davis, Jennifer A. Greenhill, and Jason D. LaFountain (Malden, Mass.: John …

A review of "Art History and its Methods"

    https://www.amazon.com/review/R48X9OWQO1VEM
    T.J. Clark, the conditions of artistic creation, 1974, John Onians, art history, Kinstegschichte and historia, 1978, Michael Baldwin, Charles Harrison and Mel Ramsden, art history, art criticism and explanation, 1981, Svetlana Alpers, interpretation without representation, or the viewing of Las Meninas, 1983, Hans Belting, the end of the ...

‘Landscape between Ideology and the Aesthetic: Marxist ...

    https://marxandphilosophy.org.uk/reviews/17044_landscape-between-ideology-and-the-aesthetic-marxist-essays-on-british-art-and-art-theory-1750-1850-by-andrew-hemingway-reviewed-by-richard-hudson-miles/
    Clark insisted that the discipline of art history should aspire to regain its earlier materialist rigour, foregrounding the conditions and relations of artistic production, which had been lost amidst the conservative retreat towards formalist analysis on the one hand, and the liberal pluralism engendered by the ‘hot-foot pursuit’ of voguish post-structuralist theory on the other.

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