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https://www.tate.org.uk/about-us/projects/transforming-artist-books
With the growth of digital technology, there is a new expectation among potential users of artist books, and those that collect and care for them, that the activities of making, cataloguing, storing, displaying, handling and looking at artist books can and should be enhanced by the digital. The discussions of the 2012 research network ‘Transforming Artist Books’ began from a recognition that important national collections of artist books …
https://www.tate.org.uk/about-us/projects/transforming-artist-books/five-artist-book-summaries
Simon Cutts 'Poinsettia' 1975. Mette-Sofie Ambeck '6 degrees of separation' 2000. Hilary Judd 'Shoe Box' 2006. Stuart Mugridge 'from Sowtontown' 1999. Edward Ruscha 'Twentysix Gasoline Stations' 1963. At Tate and elsewhere artist books are typically catalogued in terms of core bibliographic details (place of publication, size of edition etc.), but these catalogue entries rarely provide a sense of what the books …
https://www.tate.org.uk/about-us/projects/transforming-artist-books/digital-books
Two artists, Helen Douglas and Eileen Hogan, developed digital works in the context of the Transforming Artist Books research network. Digital books Tate Shop
https://www.tate.org.uk/about-us/projects/transforming-artist-books/reflections
Two artists developed digital works in the context of the Transforming Artist Books research network Postscript: ‘The Pond at Deuchar’ E-scroll Clive Phillpot writes about the genesis and significance of Helen Douglas's 'The Pond at Deuchar' E-scroll
https://www.tate.org.uk/about-us/projects/transforming-artist-books/summaries/edward-ruscha-twentysix-gasoline-stations-1963
Simon Cutts 'Poinsettia' 1975. Mette-Sofie Ambeck '6 degrees of separation' 2000. Hilary Judd 'Shoe Box' 2006. Stuart Mugridge 'from Sowtontown' 1999. Edward Ruscha 'Twentysix Gasoline Stations' 1963. Left. Right. Edward Ruscha, Twentysix Gasoline Stations, 1963. © Edward Ruscha.
https://www.tate.org.uk/about-us/projects/transforming-artist-books/summaries/mette-sofie-ambeck-6-degrees-of-separation
Transforming Artist Books Workshop reflections Artist Books Beyond the Library Catalogue ... But Tate Library defines artist books simply as items which normally have a number of pages attached to each other in some way, and hence this work with its interwoven structure is considered to be a book.
https://www.tate.org.uk/about-us/projects/transforming-artist-books/summaries/stuart-mugridge-from-sowtontown
Other artists creating books exploring these subjects include Richard Long, Hamish Fulton, Helen Douglas, Thomas A. Clark and Andrew Norris. Tate Library holds a number of other books by Mugridge, ranging from early works such as Steeplechase (1993), based on another circular walk, where squares cut from the pages allow the reader to be drawn through the book and on to the next church steeple, …
https://www.tate.org.uk/about-us/projects/transforming-artist-books/workshop-reflections/is-the-term-digital-artist-books-a-misnomer
There were several reference points that inevitably recurred during the ‘Transforming Artist Books’ research network meetings. First the desire to retain the term ‘artist book’ made immediate reference to the history of conceptual art and the actions artists took in the 1960s and 1970s to control their creative output in process, production and publication, outside the commercial ...
https://shop.tate.org.uk/books-1
Books Treat your bookshelf to titles on art, artists, cultural movements, craft and history from Tate Publishing – one of London’s oldest publishing houses. View all
http://gracialouise.com/transforming
Transforming Artists’ Books Research Articles: A research network exploring digital transformations in the creation and reception of artist books February – August, 2012 Tate (Published online) 22nd August, 2013 . Artists have always had a fluid relationship with books and evolving technology. For Sarah Bodman the future is full of ...
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