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How would you defineTelematic art, exactly?

    https://www.xamou-art.com/word/telematic-art/
    The British artist Roy Ascott coined the term telematic art in the early 1990s, though in the late 1970s, Alain Minc and Simon Nora first applied the word telematic (i.e. without ‘art’ added) to conceptualise the way computers transmit information.

Telematic Music: History and Development of the Medium …

    https://www.bgsu.edu/content/dam/BGSU/musical-arts/documents/dma-documents/Cook-Mark.pdf
    telematic art also includes other elements. Telematic art is defined by Roy Ascott, who discusses ideal telematic art in three ways in his essay “Is There Love in the Telematic Embrace?” First, 1 Daniel Bell, introduction to The Computerization of Society by Simon Nora …

T e l e m a t i c

    https://www.tttelematiccc.com/
    Telematic Media Arts is a gallery and production company, under the direction of Clark Buckner, in San Francisco’s SOMA District,. We exhibit and support time-based arts with particular attention to screen culture, and art’s intersection with contemporary information and telecommunications technolo

Telematics – Michael Dessen

    https://mdessen.com/portfolio/telematics/
    I’ve been fortunate to participate in dozens of telematic concerts with wonderful collaborators in South and North America, Asia and Europe, including Mark Dresser, Nicole Mitchell, Myra Melford, Geri Allen, George E. Lewis, Sarah Weaver, Trevor Henthorn, Mario Valencia, Tata Ceballos, Juan David Rubio, Victoria Petrovich, Bae Il Dong, Jun Oh, Jungung Yang, Yoon-jeong Heo, the Black String Ensemble, …

Internet Art – Art Term Tate

    https://www.tate.org.uk/art/art-terms/i/internet-art
    The term telematic art was coined by British artist and theorist Roy Ascott in the early 1990s to describe interactive art that uses the internet and other digital means of …

Telematic Embrace Visionary Theories of Art, Technology ...

    https://www.ucpress.edu/book/9780520222946/telematic-embrace
    "A vital addition to the literature on art of the later twentieth century, in which Roy Ascott has played central roles as a major pioneer of interactive, telematic art and as an innovative educator. Ascott’s visionary philosophy, grounded in science and technology as well as metaphysical thought, has profound implications for the digital era.

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