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https://monoskop.org/images/8/87/Foster_Hal_1995_The_Artist_as_Ethnographer.pdf
The Artist as Ethnographer? Hal Foster My title is meant to evoke "The Author as Producer," the text of which Walter Benjamin first presented at the Institute for the Study of Fascism in Paris in April 1934. There, under the influence of Berthold Brecht and Russian revolutionary
http://csmt.uchicago.edu/annotations/fosterartist.htm
Foster, "The Artist as Ethnographer" annotation by Brandon Hopkins. Brandon Hopkins. [email protected]. University of Chicago. In The Return of the Real, Hal Foster investigates the goals and practices neo-avant-garde art movements and their relation to modernist movements such as dada, surrealism, and constructivism. Chapter 6 of his book, “The Artist as Ethnographer,” deals …
http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.617.6445
CiteSeerX - Document Details (Isaac Councill, Lee Giles, Pradeep Teregowda): culture, Benjamin (1978) called on the artist on the left "to side with the prole-tariat." ' In vanguard Paris in April 1934 this call was not radical; the approach, however, was. For Benjamin urged the "advanced " artist to intervene, like the rev-olutionary worker, in the means of artistic production-to change the ...
https://pdflibrary.files.wordpress.com/2008/02/artistethnographer.pdf
The Artist as Ethnographer? Hal F0.r.k~ My title is meant to evoke "The Author as Producer," the text of which Walter Benjamin first presented at the Institute for the Study of Fascism in Paris in Apd 19%. There, under the influence of Berthold Brecht and Russian revolutionary culture, Benjamin (1978) called on the artist on the left "to side with the prole- tariat."'
http://www.corner-college.com/udb/cpro2ZgGKfArtist_As_Ethnographer.pdf
ethnographer. T h e object of contestation remains, at least in part, the bourgeois institution of autonomous art, its exclusionary definitions of art, audience, iden- tity. But the subject of association has changed: it is now the cu ltu ral an d /o r eth- nic other i n w hose n a m e the artist often stru ggles. A nd yet, despite this sh ift ...
https://tnedrandolph.blogspot.com/2011/04/response-to-hal-fosters-artist-as.html
Apr 13, 2011 · Response to Hal Foster's Artist as Ethnographer. One of our readings this semester was by Hal Foster whose 1996 essay, "Artist as Ethnographer" criticized the practice of artists acting as quasi-anthropologists. He appears particularly concerned with site-specific art that acts in critique of its surroundings -- and often fails to truly digest its surroundings before forming its critique.
https://www.ibraaz.org/essays/11
Jun 01, 2011 · Hal Foster, 'The Artist as Ethnographer?' From the flurry of interest emanating from exhibitions, publications, and other initiatives since September 11, anthropologist Kirsten Scheid infers that 'all signs suggest an imminent flourishing in the study of contemporary Arab art'. I
https://www.imdb.com/title/tt1655442/plotsummary
In 1927, in Hollywood, the star George Valentin is the pride and joy of the president of the Kinograph Studios Al Zimmer and worshiped by a legion of fans. Among them is Peppy Miller, who stumbles into George Valentin after the premiere of a silent film. Peppy kisses George and the photographers take pictures of them.
https://nomadit.co.uk/rai/events/rai2018/conferencesuite.php/panels/6003
Short abstract: This panel addresses the role of artworks as ethnographic resource in the age before photography. Raising questions about the objectivity of images from fieldwork diaries to scientific illustration, it examines pictures' accuracy as ethnographic …
https://mitpress.mit.edu/books/return-real
In The Return of the Real Hal Foster discusses the development of art and theory since 1960, and reorders the relation between prewar and postwar avant-gardes. Opposed to the assumption that contemporary art is somehow belated, he argues that the avant-garde returns to us from the future, repositioned by innovative practice in the present. And he poses this retroactive model of art and …
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