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https://monoskop.org/images/8/87/Foster_Hal_1995_The_Artist_as_Ethnographer.pdf
The Artist as Ethnographer? Hal Foster My title is meant to evoke "The Author as Producer," the text of which Walter Benjamin first presented at the Institute for the Study of Fascism in Paris in April 1934. There, under the influence of Berthold Brecht and Russian revolutionary
https://pdflibrary.files.wordpress.com/2008/02/artistethnographer.pdf
304 HAL FOSTER THE ARTIST AS ETHNOGRAPHER?305 medm absorb everything in pure malevolence (indeed we know they cannot). Rather my concern is with the shhral &ch of the realist assumption in political, here quasi-anthropologicd, art, in particular with its siting of political truth in a projected alrerity. I mentioned the problem of automatic coding of artists I&-A+vis
http://csmt.uchicago.edu/annotations/fosterartist.htm
In The Return of the Real, Hal Foster investigates the goals and practices neo-avant-garde art movements and their relation to modernist movements such as dada, surrealism, and constructivism.
https://infiltratemathematics.wordpress.com/2017/10/06/artist-as-ethnographer/
Oct 06, 2017 · Hal Foster wrote something important about the artist as ethnographer. the subject is othered, and the researcher still has the power the ethnographer envies the artist’s reflexivity, while the artist envies the ethnographer’s access to an ‘other’ that has various properties attributed to it
https://www.academia.edu/1158324/The_artist_as_surgical_ethnographer_Participant_observers_outside_the_social_sciences
They have documented and critiqued an ‘ethnographic turn’ in contemporary art, referring to the growing number of artists who are adopting anthropological field practices and topics of concern. Art historian, Hal Foster (1996), criticises artists’ utilisation of ethnographic practice in the influential essay, The artist as ethnographer.
https://www.tate.org.uk/art/art-terms/v/visual-ethnography
The theorist Hal Foster argued that visual ethnography emerged as a debate in art in the 1960s, thanks to the rise of performance art and social movements like feminism. It was no longer possible to describe audiences as simply observers, just as it was no longer possible to describe the institutions in which the art was shown in terms of space.
https://www.jstor.org/stable/1320980
the recent shift in contemporary art, which Hal Foster (1999) calls the "artist as ethnographer." This turn to ethnography by artists signals the current epistemological shifts in art from the artists as object makers to artists as "facilitators, educators, coordinators and bureaucrats" (Kwon,
https://en.wikipedia.org/wiki/Hal_Foster
Harold Rudolf Foster (August 16, 1892 – July 25, 1982) was a Canadian-American comic strip artist and writer best known as the creator of the comic strip Prince Valiant.His drawing style is noted for its high level of draftsmanship and attention to detail. Born in Halifax, Nova Scotia, Canada, Foster …
https://www.academia.edu/5704065/THE_ART_OF_ETHNOGRAPHY_The_Aesthetics_or_Ethics_of_participation
1990s by Hal Foster in ‘The Artist as Ethnographer’ of the visual arts towards increasingly localised, social Larissa Hjorth is an artist, digital ethnographer and Professor in the Games Programs, School of Media and Communication, RMIT University. She is co-director
https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1345973
ABSTRACT. Twenty-one years after Hal Foster identified what he terms the “ethnographic turn in contemporary art”, it may be argued that art which has similarities with ethnography in its focus on representation of cultural difference and issues of sociopolitical change has become accepted practice in the global art arena.
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