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https://pubmed.ncbi.nlm.nih.gov/15772645/
The artist as neuroscientist Nature. 2005 Mar 17;434(7031):301-7. doi: 10.1038/434301a. Author Patrick Cavanagh 1 Affiliation 1 Vision Sciences Laboratory, Department of Psychology, Harvard University, 33 Kirkland Street, Cambridge, Massachusetts 02138, USA. PMID: 15772645 DOI: 10.1038 ...Cited by: 292
https://www.researchgate.net/publication/7961539_The_artist_as_neuroscientist
Apr 01, 2005 · Lines are used to convey the outer contours of the horses in a very similar way in these drawings, one from 15,000 BC (left: Chinese Horse, paleolithic cave painting at …Author: Patrick Cavanagh
https://scholar.harvard.edu/pcavanagh/publications/artist-neuroscientist
Cavanagh P. The artist as neuroscientist. Nature [Internet]. 2005;434 :301-307.Cited by: 292
https://cavlab.net/MyRWResources/MyPDFs/PDF2005/Cavanagh2005.pdf
of the artist to further the painting’s intended effect. Some deviations such as Picasso’s skewed faces or the wildly coloured shadows in the works of Matisse and other Impressionists of the Fauvist school are meant to be noticed as part of the style and message of the …
https://brill.com/view/journals/artp/aop/article-10.1163-22134913-20191116/article-10.1163-22134913-20191116.xml?language=en
Nov 13, 2019 · Art & Perception E-ISSN: 2213-4913 Print ISSN: 2213-4905 Publisher: Brill ... The artist as neuroscientist, Nature, ...Cited by: 3
https://www.frontiersin.org/articles/10.3389/fnhum.2012.00009/full
The artist Sol Sneltvedt was inspired to represent the neural mechanisms underlying dynamic states of mind and collaborated with neuroscientist Michael O'Shea to create an immersive audiovisual installation.
https://brill.com/view/journals/artp/6/1/article-p1_1.xml?language=en
May 19, 2018 · Art & Perception E-ISSN: 2213-4913 Print ISSN: 2213-4905 Publisher: Brill ... The artist as neuroscientist, Nature 434, 301 ...
https://europepmc.org/articles/PMC3273889
The artist as neuroscientist. Nature 434, 301–307 10.1038/434301a [Google Scholar] Chiu H. C. (2009). Neurology of the arts. Acta Neurol. Taiwan. 18, 132–136 [Google Scholar] Clausberg K. (1999). Neuronale Kunstgeschichte: Selbstdarstellung als Gestaltungsprinzip. Wien & New York: Springer ...
https://journals.sagepub.com/doi/10.1068/p5588
Cavanagh, P , 2005 “The artist as neuroscientist” Nature 434 301 ...
https://journals.sagepub.com/doi/10.1068/i0459aap
Cavanagh, P , 2005 “The artist as neuroscientist” Nature 434 301 – 307 doi:10.1038/434301a Google Scholar Crossref Medline ISI Cavanagh, P, Chao, J, Wang, D, 2008 “Reflections in art…
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