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https://www.academia.edu/12293455/Albert_Camus_Jonas_or_the_Artist_at_Work_Deciphering_a_Painting_Solving_a_Contradiction
Albert Camus' Jonas, or the Artist at Work: Deciphering a Painting, Solving a Contradiction. William F. Birdsall 1 Albert Camus’ Jonas, or the Artist at Work: Deciphering a Painting, Solving a Contradiction William F. Birdsall February 3, 2015 Following are abbreviations used for Camus works cited in the text.
https://www.researchgate.net/publication/275968728_Albert_Camus'_Jonas_or_the_Artist_at_Work_Deciphering_a_Painting_Solving_a_Contradiction
Albert Camus’ short story Jonas ou l’artiste au travail, the fifth of six short stories in the collection L’exil et le royaume (ER), ends with an enigmatic conclusion to a contradiction that ...
http://self.gutenberg.org/articles/eng/The_Artist_at_Work
Albert Camus. "The Artist at Work" (Jonas, ou l'artiste au travail) is a short storyby the French writer Albert Camusfrom Exile and the Kingdom(L'Exil et le royaume). It has been described as "a satirical commentary on Camus’ personal experience among the Paris intellectual elite of the 1940s and 1950s."
https://www.theculturium.com/albert-camus-jonas-or-the-artist-at-work/
—Albert Camus, Exile and the Kingdom, “Jonas or The Artist at Work” Jonas’ falling from the entrails of the loft is deeply symbolic in that it represents his jettisoning of the final vestiges of his former self into a state of acceptance of his lot; more specifically, taken as a whole, “The Artist at Work” is about falling from societal grace and falling in love with life itself.
http://www.swornfriends.com/Common/ueditor/net/upload/51/2013-06-25/B5C9C88CF222FB0F.pdf
Albert Camus v THE STRANGER 6 I entered the mortuary. It was a bright, spotlessly clean room, with whitewashed walls and a big skylight. The furniture consisted of some chairs and trestles. Two of the latter stood open in the center of the room and the coffin rested on them. The lid
http://dhspriory.org/kenny/PhilTexts/Camus/Myth%20of%20Sisyphus-.pdf
—Albert Camus, Paris, March 1955 for PASCAL PIA O my soul, do not aspire to immortal life, but exhaust the limits of the possible. —Pindar, Pythian iii The pages that follow deal with an absurd sensitivity that can be found widespread in the age—and not with an absurd philosophy which our time, properly speaking, has not known. It is
https://www.brainpickings.org/2018/05/02/albert-camus-create-dangerously/
May 02, 2018 · The artist’s essential responsibility to leap society forward by upsetting the system is what Albert Camus (November 7, 1913–January 4, 1960) explores in a timeless, immensely insightful piece titled “Create Dangerously,” composed in Auden’s time but acutely relevant to our own.
https://quillette.com/2019/12/12/create-dangerously-albert-camus-and-the-power-and-responsibility-of-the-artist/
Dec 12, 2019 · On December 14, 1957, only four days after he had delivered his acceptance speech for the Nobel Prize in Literature, Albert Camus gave another speech in Sweden, this time at Uppsala University, called “Create Dangerously: The Power and Responsibility of the Artist,” in which he argued, “To create today means to create dangerously.
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