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Robert Bishop, a Folk-Art Expert And Museum Director, Dies ...

    https://www.nytimes.com/1991/09/23/arts/robert-bishop-a-folk-art-expert-and-museum-director-dies-at-53.html
    Sep 23, 1991 · Robert Bishop, a Broadway dancer who became an author, an educator and the director of the Museum of American Folk Art in Manhattan, died yesterday at St. Vincent's Hospital in Manhattan.

James Bishop’s Paintings on Paper – ARTnews.com

    https://www.artnews.com/art-in-america/features/james-bishop-painting-paper-1234584374/
    Feb 24, 2021 · 1 Maurice Poirier and Jane Nicol, “The ‘60s in Abstract: 13 Statements and an Essay,” Art in America, October 1983, pp. 134–35, quoted in Focus: James Bishop, Paintings on Paper 1959-2007 ...Author: Joe Fyfe

Isabel Bishop Smithsonian American Art Museum

    https://americanart.si.edu/artist/isabel-bishop-427
    Hoping to become an illustrator, Bishop came to New York in 1918 and enrolled in the School of Applied Design for Women. In the early 1920 s she transferred to the Art Students League to study painting with Kenneth Hayes Miller and Guy Pène du Bois. In 1934 she leased a studio at Union Square, where she observed and recorded the everyday activities of the derelicts and working-class people of ...Born: Mar 03, 1902

James Bishop (artist) - Wikipedia

    https://en.wikipedia.org/wiki/James_Bishop_(artist)
    Bishop's formal art education began in 1950, when he entered Washington University in St. Louis and studied there for three years. He was subsequently accepted into the Yale-Norfolk Summer Art School in Norfolk, Connecticut. He also studied at Black Mountain College under Esteban Vicente, before spending one year at Columbia College studying art history with Meyer Schapiro.Born: October 7, 1927, Neosho, Missouri, U.S.

Elizabeth Bishop’s Art of Losing The New Yorker

    https://www.newyorker.com/magazine/2017/03/06/elizabeth-bishops-art-of-losing
    Feb 27, 2017 · Elizabeth Bishop’s Art of Losing. She was vigilant about giving nothing away in her poetry, but a new biography examines her harrowing personal life. ... like a crucifix.” Bishop’s Crusoe ...Author: Claudia Roth Pierpont

Bishop and Reis - Cameron Bishop

    https://cameronjbishop.com/home.html
    Cameron Bishop is a Melbourne based artist, writer and curator. He works with collaborators a lot - Simon Ries as Bishop & Reis, the Bozo Ink group, Annie Wilson, and the Public Art Commission with David Cross at Deakin University. This website documents some of the artworks, curatorial projects and writing he has worked on over the last 20 years.

The Last Judgment (Michelangelo) - Wikipedia

    https://en.wikipedia.org/wiki/The_Last_Judgment_(Michelangelo)
    The Last Judgment (Italian: Il Giudizio Universale) is a fresco by the Italian Renaissance painter Michelangelo covering the whole altar wall of the Sistine Chapel in Vatican City.It is a depiction of the Second Coming of Christ and the final and eternal judgment by God of all humanity. The dead rise and descend to their fates, as judged by Christ who is surrounded by prominent saints.

National Film and Sound Archive's exhibition on ...

    https://www.canberratimes.com.au/story/7152952/man-behind-iconic-whitlam-lingiari-photo-to-showcase-work-in-act/
    Mar 04, 2021 · When Mervyn Bishop first got the call to attend an event in the Northern Territory in 1975, all he knew was the then-prime minister Gough Whitlam would be there. By the time he had left the event ...

(PDF) The "I" of the Artist-Curator Natalie Musteata ...

    https://www.academia.edu/41965321/The_I_of_the_Artist_Curator
    This dissertation charts the proliferation of artist-curated exhibitions in museums and institutions of art from 1969 to the early 2010s. It is my contention that the artist-curated exhibitions of these four decades can be divided chronologically

Claire Bishop - Artforum International

    https://www.artforum.com/print/201507/claire-bishop-54492
    Apr 22, 2013 · THE FIFTY-SIXTH VENICE BIENNALE is dominated by a Danh Vo double bill: “mothertongue,” a solo show in the Danish pavilion, and “Slip of the Tongue,” a large exhibition curated by the artist at the François Pinault Foundation’s Punta della Dogana, where Vo has mixed his own work with that of some three dozen others. Vo’s solo outing makes for one of this year’s most striking ...

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