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https://www.amazon.com/Changing-Status-Artist-Art-Histories/dp/0300077424
This book focuses attention on the theme of the artist and especially the changing status of the artist in the early modern period. In a series of case studies―some devoted to a single artist and others dealing more broadly with artistic practice―the authors explore and question the widely held notion that the later fifteenth and sixteenth centuries witnessed the emergence of the modern ...4/5(2)
https://yalebooks.yale.edu/book/9780300077407/changing-status-artist
Dec 11, 1998 · The Changing Status of the Artist deserves any and all acclamation I can put down in this small space. Insightful, thorough, and lucid, it serves both as a general introduction to the idea of the artist (including the often confusing swirl of contemporary theoretical debate on the production of art), and a more focused examination of the ...
https://www.goodreads.com/book/show/20509.The_Changing_Status_of_the_Artist
Mar 01, 1998 · This book focuses attention on the theme of the artist and especially the changing status of the artist in the early modern period. In a series of case studies—some devoted to a single artist and others dealing more broadly with artistic practice—the authors explore and question the widely held notion that the later fifteenth and sixteenth centuries witnessed the emergence3.9/5(15)
https://www.researchgate.net/publication/273076400_The_Changing_Status_of_the_Artist
Cover title: An assessment of Giotto's social and artistic enterprise : his influence on the first articulation of a theory of art and on the changing status of the artist. Thesis (M. Phil ...
http://www.italianrenaissanceresources.com/units/unit-3/essays/the-status-of-artists/
The development of art academies was evidence of and a further force for the rise in artists’ status. From the time of Cennino Cennini (see Introduction), Italian artists had argued that their work should be compared with that of poets, since both required fantasia (imagination). Lorenzo Ghiberti wrote in his Commentarii (probably compiled c. 1430–50) that a first-rate artist ought to be ...
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