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https://answers.yahoo.com/question/index?qid=20080710092125AA12cUR
Jul 10, 2008 · The first european artist who produced asymmetrical compositions, with the subject not in the center was...? a) Fragonard. b) Degas. c) Homer. d) renior. Answer Save. 2 Answers. Relevance. Anonymous. 1 decade ago. Favorite Answer. Fragonard actually. Titian was not truly Europena according to the times he lived in. 0 0. mand.
https://answers.yahoo.com/question/index?qid=20080116084929AAC5wNQ
Jan 16, 2008 · Which of these European artists produced asymmetrical compositions, with the subject not in the center, first? a Fragonard. b Degas. c Homer. d Renoir.
https://www.artsy.net/artist/edgar-degas
As his practice evolved, he developed a profound interest in the poses and physicality of ballet, producing approximately 1,500 depictions of dancers over the course of his career. Like many of his contemporaries, Degas was influenced by Japanese prints, which inspired him to experiment with asymmetrical compositions and unusual vantage points.Nationality: French
https://americanart.si.edu/artist/robert-s-duncanson-1353
Active in Cincinnati, Ohio, after 1840, Robert Scott Duncanson aspired to greatness as a landscape painter.By the 1860 s the American press proclaimed him the “ best landscape painter in the West,” while London newspapers hailed him as the equal of his British contemporaries. Both then and now he rivaled the achievements of American landscape painters such as Thomas Cole, Asher Brown ...Died: Dec 21, 1872
https://www.britannica.com/art/Rococo
Rococo, style in interior design, the decorative arts, painting, architecture, and sculpture that originated in Paris in the early 18th century. It is characterized by lightness, elegance, and an exuberant use of curving natural forms in ornamentation.
https://en.wikipedia.org/wiki/Mannerist_style
Michelangelo developed his own style at an early age, a deeply original one which was greatly admired at first, then often copied and imitated by other artists of the era. One of the qualities most admired by his contemporaries was his terribilità , a sense of awe-inspiring grandeur, and …
http://arthistoryteachingresources.org/lessons/modern-art-1900-50/
Cubism: a semi-abstract movement in early twentieth-century (mostly) French art—exemplified here in the work of Pablo Picasso—that continued the formal project begun with Paul Cézanne’s analysis of form, often geometricizing figures and collapsing traditional naturalistic notions of depth and perspective.
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Start studying Art Chapter 4, Art Exam 1-5, chapter 13 art, Quiz Chapters 3-4, Quiz Chapters 5-7, Chapters 12-14, Chapters 15-17, Chapters 18-20, Chapters 21-22, Chapters 23-24, Chapters 25-27, Chapter 5, Chapter 6, Chapter 7, Chapter 8, Chapter 9, Chapter 10. Learn vocabulary, terms, and more with flashcards, games, and other study tools.
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