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Florida Original Highwaymen - Highwaymen Historic Artist A ...

    https://highwaymenajbrown.com/original-highwaymen/
    The Florida Highwaymen Artists began to paint in Fort Pierce, Florida during the 1950s. The group of 26, all men and one woman has come a long way, but only because they are now aged and gray. In their journey, they have accomplished a list of accolades, but only over the years and decades.

Rennick Real Estate & Auctions - Highwaymen Artists

    https://www.rennickauctions.com/meet-the-highwaymen-artists/
    The Highwaymen, a group of 26 self-taught black artists who depicted the Florida landscape and sold their work door to door, or from trunks of their cars. For over 50 years The Highwaymen created large numbers of relatively inexpensive landscape paintings using …

Florida Frontiers: The Original Highwaymen Artists

    https://www.floridatoday.com/story/news/2018/03/30/florida-frontiers-original-highwaymen-artists/473621002/
    Mar 31, 2018 · The Highwaymen artists are a group of largely self-taught African American painters known for their colorful Florida landscapes. The first Highwaymen artist, Alfred Hair, was inspired by …Author: Ben Brotemarkle

Highwaymen Art Specialists Inc Art Gallery in Florida

    https://highwaymenartspecialists.com/
    Who Are The Highwaymen Artists? In the late 1950’s along the central East Coast of Florida a small group of African American artists started a business venture that wasn’t supposed to happen. The jobs available at the time for these artists were most likely in the orange groves picking fruit or other low paying minimum wage employment.

The Highwaymen Art Paintings for sale eBay

    https://www.ebay.com/b/The-Highwaymen-Art-Paintings/551/bn_55177490
    The term "Highwaymen" refers to this group of artists that painted, often from the highway, pastoral scenes of Florida while often standing live, close to the road with easel and paints. They were self-taught African-American artists that were active in Florida from the 1950s to the 1980s.

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