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The Letter The Art Institute of Chicago

    https://www.artic.edu/artworks/13508/the-letter
    Mary Cassatt began a series of color prints in 1890 that exemplify her indebtedness to Japanese color woodblock prints and her thematic focus on figures in interiors. In The Letter, Cassatt used the …

Mary Cassatt: The Letter Worcester Art Museum

    https://www.worcesterart.org/collection/American/1926.205.html
    Mary Cassatt: The Letter. MARY CASSATT American, 1844-1926 The Letter, 1890-91 Drypoint and aquatint on cream laid paper Bequest of Mrs. Kingsmill Marrs 1926.205. ... the artist translated the simplified design and muted palette of Japanese prints into the medium of intaglio (processes that involve cutting into a metal printing surface). ...

Mary Cassatt The Letter The Metropolitan Museum of Art

    https://www.metmuseum.org/art/collection/search/352203
    Mary Cassatt American Cassatt's solemn correspondent calmly seals her envelope, exhibiting none of the dreamy sentimentality of artistic predecessors. Instead, this modern woman attends to her domestic responsibilities with dignity and concentration-and without revealing the contents of her missive.

The Letter - Mary Cassatt (American, 1844-1926); printed ...

    https://artsandculture.google.com/asset/the-letter/rQEeW-alvHs7vw
    Title: The Letter; Creator: Mary Cassatt (American, 1844-1926); printed with Leroy (French, active 1876-1900) Date Created: 1890/91; Physical Dimensions: 345 x 211 mm (image/plate); 437 x 297 mm (sheet) Type: Print; External Link: The Art Institute of Chicago

The Letter, 1890 - 1891 - Mary Cassatt - WikiArt.org

    https://www.wikiart.org/en/mary-cassatt/the-letter-1891
    Article Mary Cassatt often depicted the private lives of women and children in her paintings. The Letter is one such painting, which she created in the Japanese wood block print style. The graphic decorations on the woman’s dress, as well as the wallpaper behind her, indicate the extent of Japanese art on her style.Date completed: 1891

Mary Cassatt letters, 1882-1926 - Archives of American Art

    https://www.aaa.si.edu/collections/mary-cassatt-letters-10201
    Summary: This small collection of sixty-three letters written by painter Mary Cassatt dates from 1882 to 1926. The bulk of these letters are to Cassatt's nephew, Robert Kelso Cassatt, and to his wife Minnie regarding family, mutual friends, and travel. The remaining letters are to friends regarding purchases of artwork, travel, and personal news.

Mary Cassatt letters, 1882-1926 - Archives of American Art

    https://www.aaa.si.edu/collections/mary-cassatt-letters-10201/series-1
    The letters of painter Mary Cassatt contain 64 items and date from 1892 to 1926. The bulk of these letters are to Cassatt's nephew, Robert Kelso Cassatt, and to his wife Minnie regarding family, mutual friends, and travels in and around France.

Mary Cassatt Smithsonian American Art Museum

    https://americanart.si.edu/artist/mary-cassatt-770
    Mary Cassatt is best known for her paintings of mothers and children in relaxed, informal poses. She was the first American artist to associate and exhibit with the French impressionists in Paris. Cassatt first traveled to Europe with her family when she was eleven, and by the age of sixteen had decided to be a professional artist.Born: May 22, 1844

Mary Cassatt Paintings, Bio, Ideas TheArtStory

    https://www.theartstory.org/artist/cassatt-mary/
    American-born Mary Cassatt traveled to France for her artistic training and remained there for most of her life and career. There she was recognized by contemporaries like Edgar Degas for her talent, and she became the only American artist to exhibit with the Impressionists in Paris.Nationality: American

Mary Cassatt Portrait of the Artist American The ...

    https://www.metmuseum.org/art/collection/search/10409
    Mary Cassatt American Mary Cassatt painted this self-portrait, one of only two known, a year after Edgar Degas invited her to exhibit with the Impressionists. His influence is apparent in the unusual sage-green background, the attention to contrasting complementary colors, and the figure’s daring and casual asymmetrical pose.

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