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Emerson, "The American Scholar," 1837

    https://history.hanover.edu/courses/excerpts/111emerson-2.html
    The next great influence into the spirit of the scholar, is, the mind of the Past, -- in whatever form, whether of literature, of art, of institutions, that mind is inscribed. Books are the best type of the influence of the past, and perhaps we shall get at the truth, -- learn the amount of this influence more conveniently, -- by considering their value alone.

The American Scholar - Ralph Waldo Emerson

    https://emersoncentral.com/ebook/The-American-Scholar.pdf
    The next great influence into the spirit of the scholar, is, the mind of the Past, — in whatever form, whether of literature, of art, of institutions, that mind is inscribed. Books are the best type of the influence of the past, and perhaps we shall get at the truth, — learn the amount of

“The American Scholar”

    http://la.utexas.edu/users/hcleaver/330T/350kPEEEmersonAmerSchTable.pdf
    The next great influence into the spirit of the scholar, is, the mind of the Past, ⎯ in whatever form, whether of literature, of art, of institutions, that mind is inscribed. Books are the best type of the influence of the past, and perhaps we shall get at the truth, ⎯ learn the amount of this influence more conveniently,

Landscape Painting in Chinese Art Essay The ...

    https://www.metmuseum.org/toah/hd/clpg/hd_clpg.htm
    The Yuan dynasty also witnessed the burgeoning of a second kind of cultivated landscape, the “mind landscape,” which embodied both learned references to the styles of earlier masters and, through calligraphic brushwork, the inner spirit of the artist. Going beyond representation, scholar-artists imbued their paintings with personal feelings.

Digital Emerson Text : The American Scholar

    http://digitalemerson.wsulibs.wsu.edu/exhibits/show/text/the-american-scholar
    The next great influence into the spirit of the scholar is the mind of the Past,—in whatever form, whether of literature, of art, of institutions, that mind is inscribed. Books are the best type of the influence of the past, and perhaps we shall get at the truth,—learn the amount of this influence more conveniently,—by considering their value alone.

High features prominent Black artist Driskell – Technique

    https://nique.net/entertainment/2021/02/26/high-features-prominent-black-artist-driskell/
    Feb 27, 2021 · “Beyond David’s prolific career as an international artist and scholar, he was a dear friend of the Museum, in fact a life trustee. Without question, his work, as well as his generosity of spirit and intellect, have been transformational for the field,” said Rand Suffolk, the High’s Nancy and Holcombe T. Green, Jr., director.

Google Scholar

    https://scholar.google.com/
    Google Scholar provides a simple way to broadly search for scholarly literature. Search across a wide variety of disciplines and sources: articles, theses, books, abstracts and court opinions.

Romanticism Definition, Characteristics, Artists ...

    https://www.britannica.com/art/Romanticism
    Feb 02, 2021 · Visual arts. In the 1760s and ’70s a number of British artists at home and in Rome, including James Barry, Henry Fuseli, John Hamilton Mortimer, and John Flaxman, began to paint subjects that were at odds with the strict decorum and classical historical and mythological subject matter of conventional figurative art. These artists favoured themes that were bizarre, pathetic, or …

15th Annual IN THE SPIRIT Contemporary Native Arts ...

    https://www.washingtonhistory.org/exhibit/15th-annual-in-the-spirit-contemporary-native-arts-virtual-exhibition/
    Oct 25, 2020 · “One of the absolute joys of contemporary art, and contemporary Native American art specifically, is its ability to thrust current issues forward into the spotlight. Contemporary Native American art is not created in a vacuum, it’s created with the implications of life on the artist’s mind, shoulders and spirit.

Romantic Art

    https://thesatanicscholar.com/iconography/458-2/
    Henry Fuseli (1741 – 1825) James Northcote, Portrait of Henry Fuseli (1778) Fuseli was one of the great cultural enigmas of the Romantic era, responsible for some of the most recognizable imagery of Romanticism, such as the Gothic triumph with which he made his name: The Nightmare.The Swiss-born Johann Heinrich Füssli, though belonging to a family of artists, was put on a seminary path by ...

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