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http://www.antiquesage.com/history-future-artist-patron-relationship/
Long ago, however, the artist-patron relationship was dramatically different. In the Middle Ages and Renaissance artists generally worked exclusively at the behest of rich and powerful patrons. A wealthy patron would employ a gifted artist for years, or …
https://www.dailyartmagazine.com/artist-and-patron-friend-or-foe/
Dec 07, 2019 · But just like the patrons of old, when the relationship works, artists are offered a pathway to success and economic stability. Let’s end with two patrons who had incredible success cultivating emerging talent. Peggy Guggenheim was a monumental patron within the American art world. It is said that she gave more first showings to new artists than any other patron in the US.
https://www.academia.edu/6437579/The_Relationship_Between_Patrons_and_Artists_in_the_Renaissance_Italy
Thanks to this change of status the relationship between patron and artist changed, giving to the latter more professional autonomy and contractual power, being able to offer an added value deriving from his skills and fame (Schroeder et al., 2010). As we said earlier, the Italian market was particularised.
https://courses.lumenlearning.com/suny-hccc-worldhistory/chapter/art-and-patronage/
Medici patronage was responsible for the majority of Florentine art during their reign, as artists generally only made their works when they received commissions in advance. Although none of the Medici themselves were scientists, the family is well known to have been the patrons of the famous Galileo Galilei, who tutored multiple generations of Medici children.
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