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The "is of artistic identification"

    https://misschelseypatt.blogspot.com/2011/05/is-of-artistic-identification.html
    May 15, 2011 · The “is” of artistic Identification according to Danto is a method which one can use to tell the difference between a real object and a piece of artwork. For example; when one says “A is B” the “A”, has a certain property that object B does not possess, therefore making “A” an artwork.

Art Identification Encyclopedia.com

    https://www.encyclopedia.com/science/encyclopedias-almanacs-transcripts-and-maps/art-identification
    Art Identification The identification of works of art follows the same general procedures as detecting a forgery or determining the treatment needed to restore a damaged item. The technical specialist works with the art historian or curator to discover who was the actual executor of a particular painting, drawing, or sculpture.

Seeing Differently: A History and Theory of Identification ...

    https://www.amazon.com/Seeing-Differently-History-Theory-Identification/dp/0415543835
    Seeing Differently offers a history and theory of ideas about identity in relation to visual arts discourses and practices in Euro-American culture, from early modern beliefs that art is an expression of an individual, the painted image a "world picture" expressing a comprehensive and coherent point of view, to the rise of identity politics after WWII in the art world and beyond.Cited by: 28

Danto, The Artworld - ellipsis.cx

    http://www.ellipsis.cx/~kortbein/4501/danto.html
    Danto presents an example in which the 'is' of artistic identification is relied heavily upon in the viewing of two identical paintings (each a white rectangle with a black line through the center). His comments indicate how use of the 'is' of artistic identification is guided by (backed by, supported by, constrained by) theory, understood in the loosest sense possible.

Seeing Differently: A History and Theory of Identification ...

    http://www.caareviews.org/reviews/2215
    Nov 06, 2013 · In her seminal book Body Art: Performing the Subject (Minneapolis: University of Minnesota Press, 1998) Jones argued that the body art of the 1960s and 1970s undermined the Cartesian mind/body split theorized since the seventeenth century by instantiating the body of the artist within the work of art. An early advocate for the identity-based feminist art made in the 1970s in conjunction with the Los Angeles Feminist Art …

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