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https://americanart.si.edu/artwork/jitterbugs-ii-11777
William H. Johnson created four paintings of the jitterbug, a dance craze that came out of Harlem and made its way into America’s “ swing” culture just before the Second World War. Here, the woman dips dramatically into the arms of her partner so that the two figures become one shape of …
https://americanart.si.edu/artwork/jitterbugs-i-11783
William H. Johnson, Jitterbugs (I), ca. 1940-1941, gouache and pen and ink on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.1063 Zoom Download
https://americanart.si.edu/artwork/jitterbugs-ii-11787
William H. Johnson, Jitterbugs (II), ca. 1941, screenprint on newspaper, Smithsonian American Art Museum, Gift of Mrs. Douglas E. Younger, 1971.134 Zoom Download
https://americanart.si.edu/artwork/jitterbugs-iv-11780
William H. Johnson, Jitterbugs (IV), ca. 1941, tempera and pen and ink with pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.1090R-V. Zoom.Estimated Reading Time: 3 mins
https://www.metmuseum.org/art/collection/search/491485
ca. 1941–42. William Henry Johnson American. Johnson created his lively series of Jitterbug paintings and screenprints (ca. 1940–42) while teaching at the WPA's Harlem Community Art Center. After 13 years of living abroad and painting in a modernist style, the artist returned to the United States in 1938 to record the daily lives of African Americans in a manner akin to naïve folk art.
https://americanart.si.edu/artwork/jitterbugs-iii-11789
William H. Johnson, Jitterbugs (III), ca. 1941, screenprint on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.1031R-V Zoom Download
https://customprints.metmuseum.org/detail/501390/johnson-jitterbugs-v
Screenprint. Gift of Reba and Dave Williams, 1999. Johnson created his lively series of Jitterbug paintings and screenprints (ca. 1940–42) while teaching at the WPA's Harlem Community Art Center. After 13 years of living abroad and painting in a modernist style, the artist returned to the United States in 1938 to record the daily lives of African Americans in a manner akin to naïve folk art.
https://www.artsy.net/artwork/carsten-holler-jitterbugs-tangofly-tagplants
Among Germany’s leading contemporary artists, Tobias Rehberger presents visually confounding objects and environments that question the ways art is defined. Playing with perception, literally and conceptually, the Golden Lion winner works across media, creating installations, sculptures, paintings, and sound and video art.
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