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STATEMENT : «Altars» (2003) - Thomas Hirschhorn

    http://www.thomashirschhorn.com/statement-altars/
    STATEMENT : «Altars» (2003) An altar is a personal, artistic commitment. I want to fix my heroes. The altars want to give memory of someone who is dead and who was loved by somebody else. It is important to testify ones’ love, ones’ attachment. The heroes can’t change, but the altars’ location can change.

Thomas Hirschhorn - the-artists.org

    https://www.the-artists.org/thomas-hirschhorn/
    The model of a devastated pair of semi-detached houses is one of the more recent sculptural forms produced by Swiss sculptor Thomas Hirschhorn, who is known for his space-filling installations. The house, conceived for two families dwelling under a single roof, is an exemplary representation of the sometimes involuntary vicinity of contrary positions…

Texts - Thomas Hirschhorn

    http://www.thomashirschhorn.com/texts/
    “Never Give Up The Spot” (2017) – [ger] “What can I learn from you. What can you learn from me. (Critical Workshop)” – (2017)

Thomas Hirschhorn - Wikipedia

    https://en.wikipedia.org/wiki/Hirschhorn,_Thomas
    In the 1980s, Thomas Hirschhorn came to Paris with the will to take part in the 'Grapus'-collective as graphic designer, because he was impressed by the way their graphic work was also politically engaged. Although he and the Grapus people were good friends, working with them wasn't what he wanted to do.Born: 16 May 1957 (age 63), Bern, Switzerland

Thomas Hirschhorn

    http://www.thomashirschhorn.com/
    Thomas Hirschhorn website, presenting documents on his exhibitions and works in public space, texts, editions, publications, maps and schemas, lectures and early works. With each exhibition and with more than 70 works in public space, Thomas Hirschhorn asserts his …

Thomas Hirschhorn Art21

    https://art21.org/artist/thomas-hirschhorn/
    Thomas Hirschhorn was born in 1957 in Bern, Switzerland. Originally trained as a graphic designer, Thomas Hirschhorn shapes public discourse that relates to political discontent, and offers alternative models for thinking and being. Believing that every person has an innate understanding of art, Hirschhorn resists exclusionary and elitist aesthetic criteria—for example, quality—in favor of dynamic principles …

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