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https://www.researchgate.net/publication/329337408_T_S_Eliot's_Concept_of_Impersonality_in_the_Literary_Work
The present paper is concerned with Eliot's concept of impersonality of art. Eliot says that in art, the emotion of the artist is not essentially present. Art is not the expression of personality...
https://masudadam.blogspot.com/2020/11/eliots-impersonal-theory-of-poetry.html
Nov 15, 2020 · Thomas Stearns Eliot is the most influential poet-critic of the modern era. In his famous essay Tradition and the Individual Talent, Eliot propounds his anti-Romantic conception of the theory of poetry which makes him a classicist. According to the Romantics, poetry is an expression of the emotions and the personality of the poet.
https://www.classicsnetwork.com/essays/impersonality-in-t-s-eliot-the-love/1166
Impersonality in T. S. Eliot: The Love Song of J. Alfred Prufrock. Some analysis of the poem. No single person has influenced the development of modern English and American poetry quite as much as Thomas Stearns Eliot, both as a poet and as a critic. He derived his …
https://www.poetryfoundation.org/articles/69400/tradition-and-the-individual-talent
Oct 13, 2009 · Using the analogy of a chemical reaction, Eliot explains that a “mature” poet’s mind works by being a passive “receptacle” of images, phrases and feelings which are combined, under immense concentration, into a new “art emotion.” For Eliot, true art has nothing to do with the personal life of the artist but is merely the result of ...
https://www.theguardian.com/books/2007/jan/06/poetry.thomasstearnseliot
Jan 06, 2007 · Eliot's "impersonality" addresses and describes the artistic process, the artistic treatment of the personal. Eliot's essay was classicist, an …
https://life-literature12.blogspot.com/2012/04/theory-of-impersonality.html
Apr 02, 2012 · T.S. Eliot’s impersonal conception of art and the fullest expression of his classicist attitude towards art and poetry are essentially given by him in his essay Tradition and the Individual Talent. Eliot explains his theory of impersonality by examining first, the relation of the poet to the past and secondly, the relation of the poem to its author.
https://searchworks.stanford.edu/view/7148241
1919: Pound, Eliot and the 'historical method' Massimo Bacigalupo-- Part III. Contexts - Art and Anthropology: 8. Reading T. S. Eliot visually: tradition in the context of modernist art Giovanni Cianci--9. Some art historical contexts for 'Tradition and the Individual Talent' Michael Hollington--10.
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