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https://cityislandtheatergroup.com/thomastaffe.htm
Thomas Taffe. Thomas, an artist (painter), designed and painted the sets for the production of The Wizard of Oz, designed and painted the sets and played the part of the doctor in the production of Oliver, and designed and painted the sets and played the role of Max James in the production of Christopher’s Secret for the St. Benedict’s Spotlight Players.
https://open.spotify.com/artist/1OqaXykhisART9e3KIlNdr
Thomas Taaffe, Category: Artist, Albums: Chopin Waltzes, Top Tracks: Waltz in C Sharp Minor, Op. 64 No. 2, Waltz in B Minor, Op. 69 No. 2, Waltz in A Minor, Op. 34 No. 2, Waltz in E-Flat Major, Op. 18, Waltz in E Minor, Op. Posth., Monthly Listeners: 2, Where People Listen: Philadelphia, Skarer
http://philiptaaffe.info/
Philip Taaffe on Raoul Dufy; Mario Diacono; Philip Taaffe on Matisse; Raymond Foye; Charles Stein; INTERVIEWS. With Shirley Kaneda (1991) An Interview (1996) With Stan Brakhage (1997) On Rothko (1998) With Robert Creeley (1999) On Confluence (2001) With Fred Tomaselli (2002) On Tsuba (2003) Brooks Adams (2007) With Diego Cortez (2009) David ...
https://philiptaaffe.info/biography/
Taaffe lived and worked in Naples from 1988-91. He has been included in numerous museum exhibitions, including the Carnegie International, two Sydney Biennials, and three Whitney Biennials. In 1990 his work was the subject of an extensive critical study in Parkett no. 26 (Zurich & New York).
http://www.artnet.com/artists/philip-taaffe/
Dec 17, 2020 · Philip Taaffe is a contemporary American artist best known for his process-based abstractions. View Philip Taaffe’s 369 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available paintings, works on paper, and prints and multiples for sale and learn about the artist.Nationality: American
https://www.artsy.net/artist/philip-taaffe
Known for its elaborate sampling of methods (a single work may use collage, monotype, relief printing, marbling, gilding, silk-screening, and the gestures of Action painting), Taaffe's art is founded on his belief that painting should be a synthesis of visual forces rather than the ruptures sought by modernism.
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