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An Artist for the Dystopian Age - The New York Times

    https://www.nytimes.com/2021/01/07/t-magazine/tishan-hsu.html
    Jan 08, 2021 · Tishan Hsu lives above his Williamsburg, Brooklyn, studio, where an immense skylight keeps a Norfolk Island Pine alive. The miniature green chair was once the artist’s son’s but, these days, Hsu...

Titian - Paintings, Renaissance & Facts - Biography

    https://www.biography.com/artist/titian
    Jul 09, 2020 · Born Tiziano Vecellio in what is now Pieve di Cadore, Italy, sometime between 1488 and 1490, Titian is considered one of the greatest painters of the Italian Renaissance. The oldest of four...

Tishan Hsu - Sculpture

    https://sculpturemagazine.art/tishan-hsu/
    Jan 04, 2021 · “Tishan Hsu: Liquid Circuit, ” on view at the SculptureCenter through January 25, 2021, makes a compelling and timely statement about our technologically driven age. Hsu trained as an architect in the 1970s at MIT, where the program emphasized a combination of traditional and late 20th-century approaches to building materials.

Tishan Hsu’s Prescient Yet Apolitical View of Technology ...

    https://www.frieze.com/article/tishan-hsu-liquid-circuit-2021-review
    Notably, unlike artists making cyborg-like works today, Hsu’s bodies are neither explicitly racialised nor gendered. He did not begin making work about his Chinese heritage – none of which is included here – until 2006. 'Tishan Hsu: Liquid Circuit', 2020, exhibition view, SculptureCenter, New York.

Tishan Hsu - Wikipedia

    https://en.wikipedia.org/wiki/Tishan_Hsu
    Tishan Hsu (born 1951) is an American contemporary artist based in New York. Hsu's practice examines the "embodiment of technology," or technology's impact on phenomenology and affect.

An Artist for the Dystopian Age - T Singapore

    https://tsingapore.com/article/an-artist-for-the-dystopian-age-tishan-hsu
    Jan 28, 2021 · Tishan Hsu lives above his Williamsburg, Brooklyn, studio, where an immense skylight keeps a Norfolk Island Pine alive. The miniature green chair was once the artist’s son’s but, these days, Hsu uses it to work on pieces on the floor, like the glassy tank just behind him — a cast-off component of a sculpture that grew in another direction.

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