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History of Art: Baroque and Rococo

    http://www.all-art.org/history252-23.html
    His treatment of religious subjects shows an equally-realistic portrayal of form and chiaroscuro, an interest shared with contemporary Sevillian sculptors. In 1623, Velazquez first came into contact with Philip IV, from whom he was to receive many portrait commissions.

The Baroque and Rococo Introduction to Art Concepts

    https://courses.lumenlearning.com/atd-sac-artappreciation/chapter/reading-the-baroque-art-politics-and-religion-in-seventeenth-century-europe/
    These paintings included religious subjects for private contemplation, as seen in Rembrandt’s poignant paintings and prints of biblical narratives, as well as portraits documenting individual likenesses. Willem Claesz Heda, Banquet Piece with Mince Pie, 1635, oil on canvas, 42 x 43-3/4 inches (National Gallery of Art, Washington)

Mannerism and Baroque Highbrow

    https://gohighbrow.com/mannerism-and-baroque/
    The Mannerism style of art is sometimes considered an early stage of Baroque, but many see a clear change in art after 1545 as artists reacted to the Counter-Reformation social movements and the religious tensions in Europe. The period known as Baroque art focused on a revival of religious themes as subjects of artwork as the church attempted ...

Baroque Art Basics The Art of Manliness

    https://www.artofmanliness.com/articles/the-basics-of-art-the-baroque-period/
    Oct 18, 2010 · Peter Paul Rubens was a leading Counter-Reformation painter and brought the energy, sensuality, and drama of Baroque art not only to religious works but also to historical and mythological themes (and sometimes a combination of all three).

Characteristics of Protestant & Catholic Baroque Art The ...

    https://www.theclassroom.com/characteristics-protestant-catholic-baroque-art-5815.html
    From the tenebristic paintings of Michelangelo Caravaggio, where subjects such as "The Taking of Christ" were dramatically highlighted against a dark background, to the theatrical sculptures of Gianlorenzo Bernini and illusionistic ceiling paintings that sought to pull back the ceiling and sky to reveal heaven, religious art strove to inspire and dazzle its audience with the glory of the Roman Catholic Church.

An Introduction To Baroque Art In 12 Works

    https://theculturetrip.com/europe/italy/articles/an-introduction-to-baroque-art-in-12-works/
    Nov 29, 2016 · Religious paintings and portraits like Boy with a Basket of Fruit are characteristic of this style and demonstrate Caravaggio’s influence on other Baroque artists. Caravaggio, Boy with a Basket of Fruit © Galleria Borghese/WikiCommons The Abduction of the Sabine Women by Nicolas Poussin

Baroque - Wikipedia

    https://en.wikipedia.org/wiki/Barroco
    Another feature of Baroque churches are the quadratura; trompe-l'œil paintings on the ceiling in stucco frames, either real or painted, crowded with paintings of saints and angels and connected by architectural details with the balustrades and consoles.

Baroque Art and Architecture Movement Overview TheArtStory

    https://www.theartstory.org/movement/baroque-art-and-architecture/
    The use of chiaroscuro, in which the treatment of light and dark in an artwork helped to create dramatic tension, was a key component in Baroque artwork. It was further evolved by Baroque master Caravaggio into tenebrism, which used the intensification of contrast within dark atmospheric scenes to spotlight particular elements.

Baroque art in Europe, an introduction (article) Khan ...

    https://www.khanacademy.org/humanities/renaissance-reformation/baroque-art1/beginners-guide-baroque1/a/baroque-art-in-europe-an-introduction
    These paintings included religious subjects for private contemplation, as seen in Rembrandt’s poignant paintings and prints of biblical narratives, as well as portraits documenting individual likenesses.

Italian & Dutch Baroque Art Styles Our Pastimes

    https://ourpastimes.com/italian-dutch-baroque-art-styles-12464152.html
    Sep 15, 2017 · Naturally, the church's influence meant that Baroque art from Italy almost always had religion as its subject matter. In contrast, by the 1600s, most people in the Netherlands were Protestant. Instead of the church, artists relied on nobles, wealthy merchants and other patrons for commissions.

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