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Trisha Brown American choreographer Britannica

    https://www.britannica.com/biography/Trisha-Brown
    Trisha Brown, (born November 25, 1936, Aberdeen, Washington, U.S.—died March 18, 2017, San Antonio, Texas), American dancer and choreographer whose avant-garde and postmodernist work explores and experiments in pure movement, with and without the accompaniments of music and traditional theatrical space.

Trisha Brown

    https://trishabrowncompany.org/
    Trisha Brown Dance Company. TBDC is a post-modern dance company dedicated to the performance and preservation of the work of Founding Artistic Director and Choreographer, Trisha Brown. Established in 1970, TBDC has toured throughout the world presenting the work, teaching and building relationships with audiences and artists alike. Visual Art and Performance Art.

TBDC :: Trisha Brown Biography

    https://trishabrowncompany.org/trisha-brown/biography/
    Trisha Brown 1936-2017 One of the most acclaimed and influential choreographers and dancers of her time, Trisha’s groundbreaking work forever changed the landscape of art. From her roots in rural Aberdeen, Washington, her birthplace, Brown – a 1958 graduate of Mills College Dance Department – arrived in New York in 1961.

Trisha Brown :: Foundation for Contemporary Arts

    https://www.foundationforcontemporaryarts.org/recipients/trisha-brown
    1/12: Request for funds from Trisha Brown, September 6, 1971. Artist, dancer and choreographer Trisha Brown is the first recipient of the Robert Rauschenberg Award. She was born and …

If You Couldn’t See Me: The Drawings of Trisha Brown

    https://walkerart.org/collections/publications/performativity/drawings-of-trisha-brown
    Susan Rosenberg, “Trisha Brown: The Signs of Gesture,” in Trisha Brown, Drawing on Land and Air, exh. bro. (Tampa: Contemporary Art Museum/Institute for Research in Art, 2007). Sergei Diaghilev once convinced Futurist painter Giacomo Balla to make a light show for one of his dances, performed in 1917 in Rome to Igor Stravinsky’s Fireworks .Cited by: 1

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