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https://www.wikiart.org/en/maurice-utrillo
Maurice Utrillo (French: [mɔʁis ytʁijo]), born Maurice Valadon (26 December 1883 – 5 November 1955), was a French painter who specialized in cityscapes. Born in the Montmartre quarter of Paris, France, Utrillo is one of the few famous painters of Montmartre who was born there. Utrillo was the son of the artist Suzanne Valadon (born Marie-Clémentine Valadon), who was then an eighteen-year-old artist's …Birth place: Montmartre, Paris, France
https://www.britannica.com/biography/Maurice-Utrillo
Maurice Utrillo, (born December 26, 1883, Paris, France—died November 5, 1955, Le Vésinet), French painter who was noted for his depictions of the houses and streets of the Montmartre district of Paris. Born out of wedlock, Utrillo was the son of the model and artist Suzanne Valadon. His father was not known, and he was given his name by a Spanish art critic, Miguel Utrillo.
https://www.theartstory.org/artist/utrillo-maurice/
Utrillo's most frequent subjects were buildings in the Paris neighborhood of Montmartre, well known as a refuge for the city's bohemian types - artists, writers, poets, and the like. Some of his favorite haunts such as the Lapin Agile , where he was likely to encounter more established artists like Picasso and Toulouse-Lautrec, are represented numerous times with only slight variations from canvas to canvas.Nationality: French
https://www.artsy.net/artist/maurice-utrillo
Maurice Utrillo produced thousands of oil paintings, mainly of street scenes in the Montmartre district of Paris. He is best known for his White Period (1909–14), during which he used white zinc, sometimes mixed with plaster, to convey the aging walls and deteriorating houses of his cityscapes. Socially withdrawn and a recovering alcoholic, Utrillo would often work from tourist postcards to produce his …Nationality: French
https://www.theartstory.org/artist/utrillo-maurice/artworks/
In 1911, the Cubist painter, Georges Braque, established his studio in the house and Utrillo may actually have begun the painting around that time, finishing it a few years later. Indeed, the Musée de l'Orangerie suggests that he may have reworked the painting, adding the French flag in 1914 after war was declared.
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