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Artists by art institutions - WikiArt.org

    https://www.wikiart.org/en/artists-by-art-institution
    Art institution refers to a place, where an artist can give and get a professional training. It can be a school, a university, a guild, or a private apprenticeship in a workshop. This category unites artists that were teaching or studying in the same art institution. by time by name by count

Institutional Critique - Important Art TheArtStory

    https://www.theartstory.org/movement/institutional-critique/artworks/
    Jean-Antoine Houdon's George Washington 1788/1917. Artist: Michael Asher. At the center of this installation is a life-sized bronze statue of George Washington, cast from the original marble by the noted Neoclassical sculptor Jean-Antoine Houdon, and moved by the artist from its location outside the museum's main entrance into the center of Gallery 291.

Institutional Art Fine Art America

    https://fineartamerica.com/art/institutional
    Shop for institutional art from the world's greatest living artists. All institutional artwork ships within 48 hours and includes a 30-day money-back guarantee. Choose your favorite institutional designs and purchase them as wall art, home decor, phone cases, tote bags, and more!

Art and the Institution - Artsy

    https://www.artsy.net/article/theartgenomeproject-art-and-the-institution
    Feb 12, 2014 · A current exhibition at the Hammer Museum in Los Angeles, called “Take It or Leave It: Institution, Image, Ideology” is revisiting the history of Institutional Critique, which is historically associated with a group of artists beginning in the 1960s who directly challenged the settings in which their work was exhibited.Among the most commonly mentioned names are Marcel Broodthaers, …Estimated Reading Time: 4 mins

The Institutional Theory of Art Art History Unstuffed

    https://arthistoryunstuffed.com/the-institutional-theory-of-art/
    Jul 20, 2012 · The concept of the “artworld”—one word—was taken up later by the aesthetician George Dickie who suggested a more complex theory of art that rested upon the institution, which was known as the “institutional theory of art.” As Dickie pointed out later, the artworld was at the heart of the institutional theory.

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